Yaroslava Mahuchikh, of Ukraine, competes in the women's high jump competition at the Wanda Diamond League Final 2025 athletics meeting in Zurich, Switzerland, Wednesday, August 27, 2025. (Photo by Til Buergy/Keystone via AP Photo)

A woman walks past graffiti in Beirut, Lebanon, Wednesday, May 4, 2016. Graffiti artists have been trying to re-engage disillusioned youth in a debate about the country's latest wave of political turmoil. (Photo by Hassan Ammar/AP Photo)

Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

LOCOG Chair and former Olympian Lord Sebastian Coe holds a prototype design of the new golden Olympic Torch during its unveiling at St Pancras Station on June 8, 2011 in London, England. (Photo by Dan Kitwood/Getty Images)

Poland's Piotr Lisek celebrates after winning in the Men's pole vault during the IAAF Diamond League competition on July 12, 2019 in Monaco. (Photo by Eric Gaillard/Reuters)

MY Raven, a former steamer now converted to diesel, cruises across Ullswater from Glenridding to Pooley Bridge in Cumbria, UK on October 25, 2024. (Photo by Andrew McCaren/London News Pictures)

Female North Korean soldiers parade to mark the 60th anniversary of the signing of a truce in the 1950-1953 Korean War at Kim Il-sung Square, in Pyongyang. (Photo by Jason Lee/Reuters)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)