Kacper Kowalski was born in 1977. With a degree in architecture, he focuses on aerial photography. Both a pilot and a photographer, he has unique control over each shot. As a result he captures previously unseen natural environments and ordinarily inaccessible cityscapes. In this way unreal, almost graphic pictures come into being. They show patterns, symmetries and asymmetries created by humans and the nature.

Peru, Iquitos. Restaurant in Bellavista, an area by the Amazon on April 2005. (Photo by Jean-Claude Coutausse)

In this Friday, September 15, 2017 photo, ballet dancers from Uruguay’s National ballet of the Sodre put on lipstick before a dress rehearsal for Romeo and Juliet in Montevideo, Uruguay. Dancers practice Monday through Friday for eight hours at a time. (Photo by Matilde Campodonico/AP Photo)

Hannah Maule-ffinch, “Wild Swimmers”, 2020, Hinksey Lake, Oxfordshire. Category: People. The series Wild Swimmers explores how humans are strongest when coming together in the face of adversity. In this photo, Emma and Emma have an amazing bond and friendship, built through their daily ritual of cold swimming in often bracing conditions. (Photo by Hannah Maule-ffinch/Earth Photo 2022)

British Gas engineer Martin Caulfield, 69, services and cleans a gas lamp in front of Big Ben on October 31, 2011 in London, England. Caulfield has been looking after the traditional lights since 1982. There are still around 1600 left in the capital. (Photo by Matthew Lloyd/Getty Images)

Riot police walk in the street as a couple kiss on June 15, 2011 in Vancouver, Canada. Vancouver broke out in riots after their hockey team the Vancouver Canucks lost in Game Seven of the Stanley Cup Finals. (Photo by Rich Lam/Getty Images)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)