Customers ride escalators at a shopping mall in central Moscow, Russia on March 2, 2019. (Photo by Mladen Antonov/AFP Photo)

The thousands of students gathered at Newcastle Racecourse near Newcastle upon Tyne, United Kingdom on March 3, 2019 for a booze-filled night of mayhem. The last race ended at approximately 8pm then the grandstand became like a night-club. (Photo by Craig Connor/North News and Pictures)

A young girl dressed as Hindu Goddess “Durga” sits near the deity's idol during the traditional “Kumari Puja” as a part of the Durga Puja festival in Kolkata on October 11, 2024. (Photo by Dibyangshu Sarkar/AFP Photo)

English National Opera presents Georges Bizet's “Carmen” at the London Coliseum in London on October 6, 2025. (Photo by Jane Hobson/Rex Features/Shutterstock)

Professor Xie Yong works on an art installation of a beaver, which is made out of plastic and around 300,000 needles, in Shenyang, Liaoning province, July 23, 2013. The needles, according to Xie, represent the pain felt by animals when their fur is taken off to produce clothing. (Photo by Reuters/Stringer)

Workers carry a metal sheet at a dockyard in Dhaka, Bangladesh, December 5, 2018. (Photo by Mohammad Ponir Hossain/Reuters)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)