In this July 20, 2018 photo, Joshep Balta, a clown named “Cachupito”, peers through the tent curtain to see how many people are waiting for the show, put on by the International Circus, set up in the shanty town of Puente Piedra on the outskirts of Lima, Peru. Balta, a 12-year old clown whose parents work at the circus setting up and breaking down the encampment, was discovered by the circus two years ago when he was performing as a clown at street corners. (Photo by Martin Mejia/AP Photo)

A volunteer operates a remote controlled disinfection robot to disinfect a residental area amid the COVID-19 coronavirus outbreak in Wuhan in China's central Hubei province on March 16, 2020. China tightened quarantine measures for international arrivals on March 16 as the country worries about a rise in imported cases of the deadly coronavirus and anger rages online at how Europe and the United States are handling the pandemic. (Photo by AFP Photo/China Stringer Network)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)

Artist Johnson Tsang has been posting an amazing series of process photos over on his blog that demonstrate how he makes many of his bizarre ceramic creations. One piece that really stood out is called ‘A Painful Pot’, which is a functional teapot being squeezed by a dragon, its head functioning as the spout.

The Dubai Miracle Garden is unique in that it was essentially built on a desert. Head landscaper Akar says that the grounds are a great example of how it is possible to “green the desert” by reusing waste water. Designers took additional precautions to protect the beautiful garden arrangements from the environment. For instance, the garden’s perimeter is lined with trees that are used as windbreakers. Unlike most of the gardens around the world, the Dubai Miracle Garden closes during the summer due to severe weather conditions.