Russian-born artist Vlad Korneev poses for a picture in his museum called “Designpanoptikum, Museum For Extraordinary Objects” on November 4, 2010 in Berlin, Germany. The museum displays objects whose outward appearance was determined by function rather than form, he says, and are the result of a collection he started while accumulating props for his photographic works. (Photo by Sean Gallup/Getty Images)

This barking set of images takes the saying “dogs look like their owners” to the ultimate conclusion. Photographer Sebastian Magnani, 28, has cleverly spliced the features of four-legged friends with the head and shoulders of their owners. In a series called “Underdogs”, the Swiss photographer shot the owners and their respective pets in the same portrait style. Then he used expert photo-manipulation techniques to seamlessly transplant the canine faces onto the human bodies. (Photo by Sebastian Magnani)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)

Photographer Alexander Lepeshkin spends whole nights at Clumba parties, or costume parties where the young creatives of Russia put on their most flashy and drink. His photos capture candid moments of alcohol-enhanced connections and collapses, but he says he’s not a party photographer – he’s a youth photographer. Photo: A Loshadka party in St. Petersburg, 2010. (Photo by Alexander Lepeshkin)

Demonstrators take part in a mass “face-sitting protest” outside the Houses of Parliament in central London on December 12, 2014, as they protest against changes to p*rnography regulations. An amendment to the 2003 Communities Act applies the same strict rules to p*rn bought online as those included in the guidelines set out by the British Board of Film Censors for DVDs. The new laws ban films that feature s*x acts, such as spanking, caning, strangulation, aggressive whipping, humiliation, and face-sitting. Ministers say the rules have been brought in to protect s*x workers. But campaigners say it is an attempt to censor and control the internet. Paid-for videos shot overseas and viewed online in the UK are not affected by the new rules, which were introduced on December 2, 2014. (Photo by Leon Neal/AFP Photo)

Women porters load bundles onto their back for transport across the El Tarajal boarder separating Morocco and Spain's North African enclave of Ceuta, in Ceuta on December 4, 2014. Unemployment among Ceuta and Melilla's native workforce is more than 30 percent – among the highest rates in Spain. Meanwhile, authorities say some 30,000 Moroccan traders and menial workers cross into each territory every day. (Photo by Jorge Guerrero/AFP Photo)

A woman crowd-surfs in front of the main stage at the Woodstock Festival in Kostrzyn-upon-Odra, close to the Polish-German border, August 2, 2014. Some 500 thousand people attended the festival that is the brainchild of Polish journalist and social campaigner Jerzy Owsiak. He initiated the event to say thank you to those who donated money to his GOCC charity organisation that delivers medical care for children. (Photo by Thomas Peter/Reuters)

Natan Dvir, an Israeli photographer, focuses on the human aspects of political, social and cultural issues. For his “Coming Soon” series, Dvir says that in recent years, a kaleidoscopic net of huge billboards has enveloped the commercial hubs of New York. Seen here, a man looks at a Juicy Couture billboard while passing it on 52nd street close to 5th Avenue in New York, June 5, 2012. (Photo by Natan Dvir/Polaris)