People cross waterlogged railway tracks next to a parked passenger train during heavy rains in Mumbai, India, June 9, 2021. (Photo by Hemanshi Kamani/Reuters)
Indonesian women wearing masks as a precaution against the coronavirus outbreak sit at a food stall near a mural in Jakarta, Indonesia, Monday, September 21, 2020. (Photo by Dita Alangkara/AP Photo)
An injured person reacts during a protest against the new government of President Manuel Merino, in San Martin de Lima square, in Lima, Peru, 14 November 2020. Merino took office on 10 November amid a controversial constitutional process after the dismissal of former President Martin Vizcarra for “moral incapacity” by Peruvian Congress. (Photo by Aldair Mejia/EPA/EFE)
Isabella Ferrari and Ben Ra pose for a photograph taken by Jacob deBlecourt at the City of Boston's Pride Kickoff event, celebrating the start of National LGBTQ+ Pride Month, in Boston, Massachusetts, U.S., June 1, 2022. (Photo by Brian Snyder/Reuters)
“The most serious health problem in the U.S. today is obesity.” Sounds familiar, doesn’t it? But that pronouncement about obesity’s primacy in the hierarchy of national health problems is not new. Rather, it’s the opening line to a remarkable article published 60 years ago in LIFE magazine. This photographs made by Martha Holmes to illustrate that March 1954 article, titled “The Plague of Overweight.” Photo: Dorothy Bradley (left), photographed for LIFE magazine article on obesity, 1949. (Photo by Martha Holmes/Time & Life Pictures)
The Belgian photographer Anton Kusters spent two years photographing the Yakuza, Japan’s most notorious gang. He returned with some amazing images that he made into a book called “Odo Yakuza Tokyo”. (Odo means “the way of the cherry blossom” and is the credo of the Yakuza family he followed. Photo: An erotic danser picks up fake 2-dollar bills during a private dance with a Yakuza customer in a strip tease bar in Kabukicho, a bar which is controlled by the ODO family – 2010. (Photo and caption by Anton Kusters)
When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)