A gypsy man doing their traditional performance with a Cobra snack during the outbreak of coronavirus disease (COVID-19) at Savar the outskirts of Capital Dhaka, Bangladesh on April 24, 2021. The river gypsies in Bangladesh locally known as “Bede” community. (Photo by Fatima-Tuj Johora/ZUMA Wire/Rex Features/Shutterstock)

Japanese chorus girls appear to be drilling in military tactics atop their theater building as they perform salutes, June 30, 1937. The officer is from the Japanese regular army and says the girls display more rhythm in their drills than do the regular troops. (Photo by AP Photo)

A reveler in costume laughs during the “Cordao do Boitata” street party in Rio de Janeiro, Brazil, Sunday, February 24, 2019, one of the many parades before the official start of Carnival on March 1. (Photo by Leo Correa/AP Photo)

View of a group of ostriches, in the gardens of the Palacio do Alvorada, in Brasilia, Brazil, 02 June 2020. The ostrich is the largest and heaviest bird in the world. When the chicks hatch they are between 25 and 30 cm tall, weighing about 900 grams. (Photo by Joedson Alves/EPA/EFE/Rex Features/Shutterstock)

A woman carries a Persian cat during the “SuperCat Show 2017” on November 11, 2017 in Rome, Italy. Considered the Super Bowl for all things feline, the two-day exhibition features beauty contests, information sessions, shopping and interactive games. (Photo by Alberto Pizzoli/AFP Photo)

Nathan Sawaya is a New York-based artist who creates awe-inspiring works of art out of some of the most unlikely things. His recent global museum exhibitions feature large-scale sculptures using only toy building blocks. LEGO bricks to be exact. Photo: “Blue man sits in chair”. (Photo by Nathan Sawaya/The Art of the Brick)

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.