A dog wears “The Flash” costume for a carnival pet parade in Rio de Janeiro, Brazil, Sunday, January 31, 2016. People dressed their pets up for the annual block parade held near Copacabana beach. (Photo by Leo Correa/AP Photo)

Team GB synchronised swimmers Kate Shortman and Izzy Thorpe took on an underwater fashion shoot in June 2021 before they represent Britain in the artistic swimming competition at the Tokyo Olympics next month. (Photo by Bluebella/Cavendish Press)

A woman attempts to cover a tear gas canister fired by police at a crowd in Srinagar protesting against the recent killings in Kashmir, August 17, 2016. (Photo by Cathal McNaughton/Reuters)

Children play on a donkey cart belonging to an elderly Afghan refugee sleeping on a roadside on the outskirts of Islamabad, Pakistan, Wednesday, February 18, 2015. (Photo by Muhammed Muheisen/AP Photo)

A Lebanese man carries an injured woman away from the site of a car bomb explosion in a Shiite area and stronghold of the Lebanese militant group Hezbollah at the southern suburb of Beirut, Thursday January 2, 2014. A large explosion has rocked a stronghold of the Shiite Hezbollah group in the southern suburbs of the Lebanese capital. (Photo by Hussein Malla/AP Photo)

Masked women shout slogans during a demonstration marking the Latin American Day for Decriminalization of Therapeutic Abortion in Managua, Nicaragua, where abortions are illegal, on September 28, 2012. (Photo by Esteban Felix/Associated Press)

Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)