The World Cup's sеxiest fan Ivana Knoll has been swamped by football supporters asking for selfies in the center of Doha during the filming of the show “Shoot for love” in Souq Waqif, Doha, on December 11, 2022. (Photo by Goran Stanzl/PIXSELL/Splash News and Pictures)

Netherlands and England fans arrive at the city ahead of a semi final match between Netherlands and England at the Euro 2024 soccer tournament in Dortmund, Germany, Wednesday, July 10, 2024. (Photo by Markus Schreiber/AP Photo)

A couple poses for a joint photograph in a photo booth (photomaton) at a metro station in Paris on July 24, 2024. (Photo by Dimitar Dilkoff/AFP Photo)

Andrea Spendolini Sirieix and Lois Toulson of Britain in action during the women's synchronized 10m diving at the Paris Olympics on July 31, 2024. (Photo by Leah Millis/Reuters)

Swans from the state Ballet of Georgia production of Swan Lake arrive in London on August 27, 2024 ahead of opening night at London Coliseum venue on 28th August. (Photo by Guy Corbishley/Alamy Live News)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

American sculptor Michael Alfano has been sculpting for over fifteen years. A native of New York, he now lives and works in Hopkinton, Massachusetts. His major influences are Salvador Dali, Jo Davidson, and Jean-Antoine Houdon, as well as Buddhist, Taoist, Sufi and other eastern philosophy and literature. He first studied at the Art Students League of New York, with an emphasis on life-size sculpture from the model. His formal education continued at Boston University and was augmented by internships with several prominent sculptors.

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.