Canada's Marissa Papaconstantinou makes her way to the finish line after falling in the Women's 200m T44 Final during day ten of the IPC World ParaAthletics Championships 2017 at London Stadium on July 23, 2017 in London, England. (Photo by Peter Cziborra/Reuters)

A dog dressed as Oscar the Grouch takes part in the annual halloween dog parade at Manhattan's Tompkins Square Park in New York, NY, U.S. on October 21, 2017. (Photo by Lucas Jackson/Reuters)

A driver steers a lorry laden with bags of plastic bottles across a recycling yard at the outskirts of Beijing, China, August 19, 2016. As authorities try to control Beijing's burgeoning population and capitalize on skyrocketing land prices, scrap collectors say they are being pushed out despite playing a vital role in China's unique recycling ecosystem. (Photo by Thomas Peter/Reuters)

Brazilian model Adriana Lima continues her vacation in Marbella, Spain on July 29, 2019. Dressed in a short blue jumpsuit. (Photo by The Mega Agency)

Catholic pilgrim Matilde Madalena de Jesus crawls on a rocky trail carrying a bottle of water on her head during the annual pilgrimage of the dead (Romaria dos Finados), in the city of Juazeiro do Norte, Ceara state, in Brazil October 31, 2016. (Photo by Ueslei Marcelino/Reuters)

Polish supermodel Anja Rubik attends the Saint Laurent show as part of the Paris Fashion Week Womenswear Fall/Winter 2020/2021 on February 25, 2020 in Paris, France. (Photo by Swan Gallet/WWD/Rex Features/Shutterstock)

A fan watches the Group D Tunisia v France match on his phone outside the stadium, Al Rayyan, Qatar on November 30, 2022. (Photo by Stephane Mahe/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)