A person looks at Theresa Chromati's “steadfast, step into me (allow silence to create the sounds you desire most)”, which is part of Frieze Sculpture, in Regent's Park, in London, Britain on September 18, 2024. (Photo by Mina Kim/Reuters)

Sarah Campbell by Nick Knight and other cover shots – The Face Magazine: Culture Shift at the National Portrait Gallery in London on February 19, 2025. A new exhibition that celebrates iconic fashion images and portraits from The Face, a trail-blazing youth culture and style magazine. Bringing together 200 photographs by over 80 photographers from the 80s, 90s, 00s, the exhibition is an opportunity to see many of these images away from the magazine page for the first time. (Photo by Guy Bell/Alamy Live News)

Philip Colbert poses in front of his artwork at The Gallery Hosu on March 31, 2025 in Seoul, South Korea. (Photo by Chung Sung-Jun/Getty Images for Philip Colbert Studio)

A visitor stands near an art installation portraying China's President Xi Jinping, U.S. President Donald Trump and Russia's President Vladimir Putin during the ARTSUBS exhibition in Surabaya, Indonesia on August 2, 2025. (Photo by Juni Kriswanto/AFP Photo)

British artist Nnena Kalu's presentation during a press preview for the 2025 Turner Prize at Cartwright Hall Art Gallery in Bradford, Britain, 23 September 2025. The Turner Prize is awarded to a British artist for an outstanding exhibition or presentation during the previous year. The shortlisted artists are Nnena Kalu, Rene Matic, Mohammed Sami, and Zadie Xa. The 2025 Turner Prize is held at Cartwright Hall in recognition of Bradford's status as UK City of Culture 2025. (Photo by Adam Vaughan/EPA)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

Amazing gravity-defying photo manipulations by Ravshaniya, a photographer from Uzbekistan, teeters on the edge of levitation. Photo: Untitled. (Photo by Ravshaniya)