The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

The War in Abkhazia from 1992 to 1993 was fought between Georgian government forces for the most part, and Abkhaz separatist forces, Russian armed forces and North Caucasian militants. Ethnic Georgians who lived in Abkhazia fought largely on the side of Georgian government forces. Ethnic Armenians and Russians within Abkhazia's population largely supported the Abkhazians, and many fought on their side. The separatists received support from thousands of North Caucasus and Cossack militants and from the Russian Federation forces stationed in and near Abkhazia. Here: Abkhazia. Sukhumi, 1993. A house-to-house combat. (Photo by Andrei Solovyov/ITAR-TASS)

“The Antonov An-124 Ruslan (NATO reporting name: Condor) is a strategic airlift jet aircraft. It was designed by the Soviet Union's Antonov design bureau. It is the world's largest ever serially-manufactured cargo airplane and world's second largest operating cargo aircraft. During development it was known as Izdeliye 400 in house, and An-40 in the West. First flown in 1982, civil certification was issued on 30 December 1992”. – Wikipedia

Photo: The new metro called “Bombardier MOVIA” with 22,50 meters long and 3,2 meters wide is load on a Antonow An-124 plane for transport to India on February 25, 2009 in Parchim, Germany. (Photo Handout Bombardier Transportation via Getty Images)

A gold prospector is detained by agents of Brazil’s environmental agency on the Uraricoera River during an operation against illegal gold mining on indigenous land, in the heart of the Amazon rainforest, in Roraima state, Brazil April 15, 2016. At over 9.5 million hectares, the Yanomami territory is twice the size of Switzerland and home to around 27,000 indians. The land has legally belonged to the Yanomami since 1992, but illegal miners continue to plague the area, sawing down trees and poisoning rivers with mercury in their lust for gold. (Photo by Bruno Kelly/Reuters)

“Sally Mann (born in Lexington, Virginia, 1951) is one of America’s most renowned photographers. She has received numerous awards, including NEA, NEH, and Guggenheim Foundation grants, and her work is held by major institutions internationally. Her many books include Second Sight (1983), At Twelve (1988), Immediate Family (1992), Still Time (1994), What Remains (2003), Deep South (2005), Proud Flesh (2009), and The Flesh and the Spirit (2010). A feature film about her work, What Remains, debuted to critical acclaim in 2006. Mann is represented by Gagosian Gallery, New York. She lives in Virginia”.

Photo: Candy Cigarette, 1989. (Photo by Sally Mann)

A Mongolian Shamaness or Buu, beats her drum while taking part with others in a fire ritual meant to summon spirits to mark the period of the Summer Solstice in the grasslands on June 22, 2018 outside Ulaanbaatar, Mongolia. Banned for 70 years under Communist rule, shamanism has seen a resurgence in Mongolia since 1992, when the ancient practice became protected by the country's Constitution. Known as Tengrism, in which Shamans channel ancestral spirits, it is widely regarded as Mongolia's national religion and part of its indigenous identity. (Photo by Kevin Frayer/Getty Images)

Afghanistan, published by Taschen later July, is a retrospective portfolio of the Magnum photographer Steve McCurry’s most striking images of the country, from 1979 to 2016. Here: Kunar province, 1980. Armed mujahideen carry animal skins to use as inflatable buoys to cross rapids. (Photo by Steve McCurry/Taschen/Magnum Photos/The Guardian)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)