Aerial view of Christ The Protector Statue at sunrise on April 21, 2021 in Encantado, Brazil. The statue under construction in Encantado, Southern Brazil, will be named Cristo the Protector and will surpass the iconic Christ The Redeemer of Rio de Janeiro by five meters. Made of steel and concrete, it will stand 43 meters including its pedestal, and become the third-tallest statue of Jesus Christ in the world. (Photo by Buda Mendes/Getty Images)

Aliana Alexis of Haiti stands on the concrete slab of what is left of her home after destruction from Hurricane Dorian in an area called “The Mud” at Marsh Harbour in Great Abaco Island, Bahamas on September 5, 2019. Hurricane Dorian lashed the Carolinas with driving rain and fierce winds as it neared the US east coast Thursday after devastating the Bahamas and killing at least 20 people. (Photo by Al Diaz/Zuma Press via AFP Photo)

City stairways grey, cold concrete which is often dirty. These Street Artists around the world decided to do something about it. What they have done is nothing short of phenomenal. You won’t believe it. You’ve have to see these incredible transformations that took these stairs from dull to beautiful!

Aerial view of the Christ The Protector Statue and the Valle de Taquari on April 20, 2021 in Encantado, Brazil. The statue being built in Encantado, southern Brazil, will surpass the iconic Christ The Redeemer of Rio de Janeiro by seven meters. Made of steel and concrete, it will stand 43 meters including its pedestal, and become the third-tallest statue of Jesus Christ in the world. (Photo by Buda Mendes/Getty Images)

Floralis Genérica is a sculpture made of steel and aluminum located in Plaza de las Naciones Unidas, Avenida Figueroa Alcorta, Buenos Aires, a gift to the city by the Argentine architect Eduardo Catalano. Catalano once said that the flower "is a synthesis of all the flowers and is both a hope that is reborn every day to open." It was created in 2002. The sculpture moves closing its petals in the evening and opening them in the morning, although this mechanism is currently disabled. The sculpture is located in the center of a park of four acres of wooded boundaries, surrounded by paths that get closer and provide different perspectives of the monument, and placed above a reflecting pool, which apart from fulfilling its aesthetic function, protects it. It represents a large flower made of stainless steel with aluminum skeleton and reinforced concrete, which looks at the sky, extending to it its six petals. Weighs eighteen tons and is 23 meters high.

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home

A man cries in a graveyard during the funeral of Nasser Ali Afglio, a young Libyan rebel killed during battle with government troops loyal to Libyan ruler Moammar Gaddafi April 19, 2011 in Misrata, Libya. The graveyard where Nasser was buried has hundreds of simple concrete graves; many dozens are those that have been killed during the last two months of fighting in the besieged town. Thousands of civilians are trapped in Misrata as fighting continues between Libyan government forces that have surrounded the city and anti-government rebels there. (Photo by Chris Hondros/Getty Images)

Architects Christophe Berdaguer and Marie Péjus get scary with this sculptural,bogey-inspired arts center in France. Situated behind the severe Synagogue de Delme, the center's design transforms an old house, which previously served as a prison, a school, and most recently a funeral home. The new intervention draws inspiration from the latter, cloaking the structure in a white veil of molded concrete that creates a "living body" which expands into the surrounding areas of the house.