Wladimir Klitschko (L) and David Haye attend a press conference on June 27, 2011 in Hamburg, Germany to preview the heavy weight title fight between them which will be held on the 2nd July 2011 at the Imtech Arena. (Photo by Scott Heavey/Getty Images)

Photographer David Emitt Adams creates tintypes on discarded cans he collects from the Sonoran Desert. In his artist statement, Adams says that some are more than four decades old, which have earned a deep reddish-brown, rusty coloration. (Photo by David Emitt Adams)

Men rest after salvaging metal on the 30th floor of the “Tower of David” skyscraper in Caracas February 3, 2014. A 45-storey skyscraper in the center of Venezuela's capital Caracas is a slum, probably the highest in the world. Dubbed the “Tower of David”, the building was intended to be a shining new financial center but was abandoned around 1994 after the death of its developer – banker and horse-breeder David Brillembourg – and the collapse of the financial sector. (Photo by Jorge Silva/Reuters)

“Don't take the life too serious”. (Photo by David Olkarny)

The photographer best known for his surreal celebrity portraits has teamed up with Lavazza to create their 2020 calendar. Shot in Hawaii, his shoot is a hymn to the relationship between humankind and the natural word. Here: Care – May. (Photo by David LaChapelle/The Guardian)

These adorable images of new born polar bears are bound to warm the hearts of even the biggest Ba-humbugs this Christmas. The stunning collection of photographs, taken over the space of ten years, manage to capture the tender bond between both mother and child as they emerge from their den for the very first time. Here: a Polar bear with its cub. (Photo by David Jenkins/Caters News)

“Potholes” is a series of photographs depicting the concave street cracks and holes as a collection of imaginative tableaux in the city. Captured within the backdrops of New York City, Los Angeles, Toronto and Montreal, the sets explore the urban flaws as a playground creating a multitude of uses out of the potholes. Directly engaging the street and the city, the highly imaginative series transforms the bad into good, creating a tongue-in-cheek collection that is at once contextual and surreal”. (Photo and caption by Davide Luciano)

David LaChapelle, Land Scape Anaheim, 2013, chromogenic print, 70 3/4 x 95 inches, 179.7 x 241.3 cm, edition of 3. Image courtesy of the artist and Paul Kasmin Gallery. (Photo by David LaChapelle Studio)