Faithful carry a boat out to sea, filled with offerings to Yemanja, the African sea goddess, during a ceremony honoring the deity in Montevideo, Uruguay, Saturday, February 2, 2013. Thousands of worshippers come to the beach in Montevideo on her feast day, February 2, bearing candles, flowers, perfumes and fruit to show their gratitude for her blessings bestowed upon them. The belief in the goddess sprouts from Umbanda, a blend of religions that include African, Catholicism and Spiritism. (Photo by Matilde Campodonico/AP Photo)

Abbas (1944 – 25 April 2018) was an Iranian photographer known for his photojournalism in Biafra, Vietnam and South Africa in the 1970s, and for his extensive essays on religions in later years. He was a member of Sipa from 1971 to 1973, a member of Gamma from 1974 to 1980, and joined Magnum Photos in 1981. Here: Kuwait, 1991. (Photo by Abbas Attar/Magnum Photos)

A man carries a figurine of Santa Muerte or The Saint of Death during the first prayer of the New Year in Mexico City, Mexico January 1, 2017. Nuestra Señora de la Santa Muerte is a female deity of Mexican folk religion, venerated primarily in Mexico and the Southwestern United States. (Photo by Carlos Jasso/Reuters)

Cemetery overcrowding is an issue that resonates around the world, particularly in its most cramped cities and among religions that forbid or discourage cremation. The reality of relying on finite land resources to cope with the endless stream of the dying has brought about creative solutions... (Photo by Rodrigo Abd/AP Photo)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Devotees attend the annual voodoo festival in Ouidah January 10, 2016. The national voodoo holiday in the West African country of Benin had a distinctively political accent this year as practitioners from Africa and the Americas gathered on Sunday to offer prayers and sacrifices for peace. Hundreds of followers of the traditional religion gathered in the Atlantic coast town of Ouidah, once an important port in the slave trade, to pray for calm during the tiny country's presidential election scheduled for February. (Photo by Akintunde Akinleye/Reuters)

The great vector artist OG Abel was a diamond in the rough. Growing up in violent surroundings, OG Abel found shelter in art. With an unsupportive father who always told him artist die broke, his only creative activity was strongly connected to religion. Having a church-going mother, OG Abel says he would spend hour drawing images from the Bible, his favorite pictures being those of animals, especially lions. He would also study the elaborate paintings in churches, the architecture, and/or the sculptures.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.