Bryan Berg was introduced to card-stacking by his grandfather at the age of 8. He is a self-taught artist in all of the techniques he uses today. Berg's freestanding card structures are based on a grid-like arrangement, which Berg tested in a structural engineering lab to support 660 lbs per square foot―using no tape, no glue, no folding, and no tricks.

A hen, a dog and a rabbit playing cards, circa 1956. (Photo by Evans/Three Lions)

Boxers Deontay Wilder, left, and Tyson Fury exchange words as they face each other at a news conference in Los Angeles, Wednesday, November 28, 2018. The pair are slated to fight Saturday night for Wilder's WBC heavyweight title. (Photo by Andrew Couldridge/Action Images via Reuters)

A woman protests her eviction from a building she and others invaded about a week ago in the Flamengo neighborhood of Rio de Janeiro, Brazil, Tuesday, April 14, 2015. Police dislodged squatters from the building slated for use as a luxury hotel for the 2016 Olympics in Rio de Janeiro. (Photo by Silvia Izquierdo/AP Photo)

Mohammed Al-Shinbari, 24, balances objects using what he calls a mix of mind and body, in his family house in Beit Hanun town in the northern Gaza Strip, 30 November 2019. Al-Shinbari says he can put almost any object in balance. (Photo by Mohammed Saber/EPA/EFE)

Contestants of a tourism beauty pageant balance eggs on their collarbones as they cruise along the Yellow River in Jiyuan, Henan province, China, June 22, 2015. The contestants believe that if they are slim enough, their collarbones will allow them to balance the eggs securely on their bodies. (Photo by Reuters/Stringer)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.