Photographer Ma Hongjie has spent 11 years documenting families in various parts of China for his upcoming book The Family Belongings of Chinese People. Here: a couple with their belongings and vegetables in Hebei Huailai county. (Photo by Ma Hongjie)

In this November 20, 2017 photo, Indian kushti wrestlers fight in the ring, during their daily training at an akhada, a kind of wrestling hostel at Sabzi Mandi, in New Delhi, India. Like many traditions in rapidly modernizing India, kushti wrestling faces the threat of being left behind. But for many poor families, the ancient sport provides a glimmer of hope. (Photo by Dar Yasin/AP Photo)

LONDON - JUNE 04: A piece entitled “Entrance into wood” by Elke Krystufek goes on show at The Royal Academy Summer Exhibition on June 4, 2008 in London. In it's 240th year, the exhibition displays a wide range of recent work by both established and emerging artists. 10,000 artists submitted work for selection this year. (Photo by Peter Macdiarmid/Getty Images)

A pair of young visitors rushes through a tunnel of colored lights at the annual Garden of Lights display at Brookside Gardens on December, 06, 2015 in Silver Spring, MD. (Photo by Bill O'Leary/The Washington Post)

People enjoy skating at the open air Christmas ice rink on the first floor of the Eiffel Tower after its reopening on December 19, 2016 in Paris The ice rink of about 200 square metres and on the first floor of the tower (57 metres above the ground) is open to the public until February 19, 2017. (Photo by Joel Saget/AFP Photo)

A garbage collector, with his horse and cart, prepares to unload rubbish at the municipal dump in Nezahualcoyotl, on the outskirts of Mexico City, February 18, 2015. Hundreds of horse or donkey-drawn carts will disappear from the streets of a municipality in the state of Mexico, located on the outskirts of Mexico City, and will be replaced by motorized vehicles, local authorities said. (Photo by Henry Romero/Reuters)

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.