A two-horse team street cleaner, with sprayer, squeegee, and roller at rear. New York, between ca. 1910 and ca. 1915. (Photo by NYC Municipal Archives)

China's Wang Yan performs on the balance beam during the artistic gymnastics women's individual all-around final at the 2016 Summer Olympics in Rio de Janeiro, Brazil, Thursday, August 11, 2016. (Photo by Julio Cortez/AP Photo)

Folk artist Han Xiaoming demonstrates painting with his tongue in Hangzhou, Zhejiang province December 4, 2014. Han dips his tongue in ink to paint on paper, and uses his fingers to fill in final adjustments. The artist also uses a paintbrush held with his mouth and utilizes fish and vegetables as paint tools, local media reported. (Photo by Aly Song/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Pro-government fighters stand next to a tank destroyed during recent fighting in Yemen's southwestern city of Taiz March 14, 2016. (Photo by Anees Mahyoub/Reuters)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)