In this Tuesday July 12, 2016 photo, an elephant is lifted by a crane in an upside down position in Lilongwe, Malawi, in the first step of an assisted migration of 500 of the threatened species. African Parks, which manages three Malawian reserves is moving the 500 elephants from Liwonde National Park, this month and next, and again next year when vehicles can maneuver on the rugged terrain during Southern Africa's dry winter. (Photo by Tsvangirayi Mukwazhi/AP Photo)

Boys walk home for lunch from school in the village of Kogelo, west of Kenya's capital Nairobi, July 16, 2015. U.S. President Barack Obama visits Kenya and Ethiopia later this month. His ancestral home of Kogelo is home to Sarah Hussein Obama, his step-grandmother. The Kenyan village, burial place of Obama's father, features an open-pit goldmine, a pork butcher's, a school named after their most famous son and outdoor market stalls. Villagers get around by motorbike taxi or on foot while a donkey-cart transports water. Children, some of them named Obama in honour of the President, walk to and from school together. (Photo by Thomas Mukoya/Reuters)

Wang Zhengqing, a 74 year old pneumoconiosis patient, smokes his pipe at Yangjia Hospital in Wuyi County, Zhejiang Province, China October 19, 2015. Former miner Wang was diagnosed with the disease, which is caused by dust inhalation, when he was 24 and has lived at Yangjia Hospital for ten years. (Photo by Damir Sagolj/Reuters)

Japanese artist Hikaru Cho is already well-known for her bizarre and realistic body paintings, but now the Tokyo-based artist has applied her talent to everyday food items as well. In her playful “It’s Not What It Seems” series, she turns common foods into other kinds of food using only acrylic paint and her extraordinary talent.

Since 2002 the Ventura bus stop at Telegraph Rd next to the Pacific View Mall remains as Ventura’s most controversial piece of public art. Created by renowned sculptor, Dennis Oppenheim, “Bus Home ” is a looping cork screw of steel, concrete, acrylic, paint, and electric light. It stands 36′ at its tallest height. For the artist: “The work depicts the metamorphosis of a bus becoming a house…entering the ground and coming up again. For the tired and often alienated traveler the experience of waiting wished to be intervened by the realization that the transaction will be complete. The passengers will arrive at their destination. They will arrive home