Colombia midfielder Natalia Gaitan (3) goes up for a header against Mexico midfielder Nayeli Rangel (7) in Moncton, June 9, 2015. (Photo by Matt Kryger/USA TODAY Sports)

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)

Sydneysiders walk amongst tar figures placed in the CBD to raise awareness about the damage smoking causes to the body at Martin Place on June 30, 2011 in Sydney, Australia. Each of the tar figures represent the profile of smokers, from the casual weekend smoker to the one with a lifelong addiction. (Photo by Lisa Maree Williams/Getty Images)

Young Christian Lebanese women, who are members of Kataeb Phalangist party, show their skill in handling arms while they train in a village between Christian-controlled eastern port of Jounieh and the Christian village of Zahle in the west Lebanon on September 9, 1976. The Lebanese civil war erupted in April 1975. (Photo by Erich Stering/AFP Photo)

Iraqi women practice at the sports club in Diwaniya, Iraq on November 10, 2018. On the blue mats of the al-Rafideen Club in the conservative city of Diwaniya, some 180 km (110 miles) south of Baghdad, some 30 female wrestlers, some still wearing headscarves, train three times a week. When a big competition comes up, they train every day. (Photo by Alaa Al-Marjani/Reuters)

Participants go for a ride out with their motorbikes during women-only Petrolettes motorcycle festival in Neuhardenberg near Berlin, Germany on July 29, 2017. (Photo by Stefanie Loos/Reuters)

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.