Lioness and hyena posture to one another, in Masai Mara, Kenya, August 2015. A photographer captured one of the oldest rivalries in the animal kingdom as a pair of lions went head to head with a pack of hungry hyenas. (Photo by Ingo Gerlach/Barcroft Images)

Tatiana Osorio, of Orlando, cries while giving blood at the OneBlood blood center near the mass shooting at a nightclub, June 13, 2016, in Orlando, Fla. Osorio lost three friends in the shooting. (Photo by David Goldman/AP Photo)

Ty, a 15-year-old boy, poses for a picture while collecting usable items at a landfill dumpsite outside Siem Reap March 19, 2015. Ty, who finished six-grade primary school, said he makes 5 USD per month working at the dumpsite. (Photo by Athit Perawongmetha/Reuters)

Plaster cast moulds of victims of the Mount Vesuvius eruption lie on a display table in a laboratory at Pompeii October 13, 2015. An expert team made up of archaeologists, radiologists, orthodontists and anthropologists began on September 2015 to use CAT scan technology (computerised axial tomography) to peer inside the plaster cast moulds of Pompeii's victims, in a study that has added more detail to previous findings. A 16-layer scan had to be used in order to penetrate the hardened plaster but the results showed up impressive skeletal remains and near perfect teeth. (Photo by Alessandro Bianchi/Reuters)

The artworks that Alexa Meade makes are very unique and original. A usual painter creates a 2D or a 3D drawing on flat 2D surface. Alexa, on the other hand, draws over the body of a regular person, making them look like a 2D painting. The pictures of these people are almost uncanny, as you realize that the eyes “paintings” are real, and suddenly it dawns upon you that you are seeing a living and breathing human being. It is weird how we perceive this world, and how easy it is to trick our brain into thinking that it’s seeing a two-dimensional object. (Photo by Alexa Meade)

Cotswold gamekeeper shoots amazing pictures of British wildlife – without the aid of long lenses and elaborate techniques. The photos may look like they have been shot from miles away – but amazingly Adam Tatlow is actually just feet away from his wild subjects. Photo: Young fawn shelters in the wood. He is so at one with nature that he knows how to call animals to him, and often gets within 30ft of them. (Photo by Adam Tatlow/BNPS)