In this Tuesday, September 12, 2017 photo, Amornrat Simapsaisan, a local shop manager, watches before she ate watermelon salad with bamboo worms, at Inspects in the Backyard restaurant, Bangkok, Thailand. Tucking into insects is nothing new in Thailand, where street vendors pushing carts of fried crickets and buttery silkworms have long fed locals and adventurous tourists alike. But bugs are now fine-dining at the Bangkok bistro aiming to revolutionize views of nature’s least-loved creatures and what you can do with them. She tucked in quite happily to her watermelon and cricket salad on a recent evening. “It’s tasty. It’s munchy”, she said. (Photo by Sakchai Lalit/AP Photo)

A replica of pre-historic drawings showing horses, rhinoceros and aurochs is seen on a wall during a press visit at the site of the Cavern of Pont-d'Arc project in Vallon Pont d'Arc April 8, 2015. The Cavern of Pont-d'Arc project is a replica of the pre-historic Decorated Cave of Pont-d'Arc known as Grotte Chauvet, in Vallon Pont-d'Arc in the Ardeche region, containing the world's earliest known art which was recently named a UNESCO World Heritage site. The facsimile cavern, which condenses some 8000m² of the original site into 3000m², will display faithful reproductions of paintings and engravings and will be inaugurated on April 10 and will open to the public on April 25. (Photo by Robert Pratta/Reuters)

Nine years ago, Tom Carter traveled from San Francisco to China, responding to a job posting that turned out to be a scam. He managed to find another job as a teacher, and saved enough money to embark on a 56,000 km trip through all of China's 33 provinces that lasted two years. Carrying a camera – just a a 4-megapixel point-and-shoot – Carter captured some amazing images of the widely varying landscape, people, and architecture across the nation. Photo: Buddhist pilgrim family from Sichuan. (Photo by Tom Carter via The Atlantic)

Owner Nicole Graham works with volunteers from CFA and SES tries to dig out her horse “Astro” who became stuck up to his neck in mud at Avalon Beach on February 26, 2012 in Geelong, Australia. The tide was fast-rising, but the rescuers managed to get him out in time. (Photo by Peter Ristevski/Newspix)

“Creepy crawlies have become stunning examples of the natural world in these incredible close-up pictures. Photographer Kutub Uddin, 28, snapped the tiny creatures in a forest near his home of Bognor Regis over the course of the summer. Taken in close-up using special macro lenses and filters, he managed to turn house flies, damsel flies and wasps into gorgeous jeweled works of art. Kutub said: “I found the bugs in the forest near where I live when I was taking pictures”. – Cater News

Stunning silhouettes under European cities reveal the size and splendor of the continent’s urban foundations. Photographer and content-manager Anna Arinova, 28, from Moscow, captured the awe-inspiring labyrinths in Russia and Germany. Here: Regenwurmlager, Poland. The Regenwurmlager is an extensive underground fortification area constructed by Germany in 1920s-1940s, now in western Poland, near the city of Międzyrzecz. (Photo by Anna Arinova/Caters News)

The combination of two different drawing styles in one picture never ceases to amaze us. The works of Allison Kunath are a vivid example of this technique. The background of her pictures is drawn using watercolors, while the actual image is broken down into rough geometrical shapes. This creates a very striking contrast, thanks to black, bold lines of the image on the forefront drawn over soft, cloudy shades of color. The skill of Allison is clearly seen in the way she manages to draw something as amorphous as a squid without making any curved lines. (Photo by Allison Kunath)

James Kerr started his project “Scorpion Dagger” without any real direction, except for the intention to make one GIF everyday(ish) for one year. He had been making collages for some time and “Scorpion Dagger” started out to be a test of discipline and a way for him to learn how to animate. Making GIFs was a logical evolution to him. The project represents many different things to him, the works from which he draws upon are so powerful and inspirational to him, that he is now nearly obsessed with repurposing them to share his vision of the world, and perhaps inspire people to look at art differently. The project is tremendously personal to him, it’s a lot more than the humor that’s at its surface and he is still trying to work out what “Scorpion Dagger” really is.