Ambra Sabatini (ITA) and Monica Graziana Contrafatto (ITA) fall at the finish line ahead of Elena Kratter (SUI) and Noelle Lambert (USA) in the Para Athletics Women’s 100m -T63 Final during the Paris 2024 Paralympic Summer Games at Stade de France, on September 7, 2024. (Photo by Adrian Dennis/OIS via Imagn Images)

Dried and shrivelled corpses, some fully clothed and some in coffins, line the wall of a vault of the Pantheon Cemetery on the summit of Cerro del Trozado in Mexico. They were removed from the crypts because of non-payment of cemetery fees. The hot dry air stopped the bodies from rotting. Most of them were placed here between the turn of the century and WW I. (Photo by Three Lions/Getty Images). Circa 1955

Jean-François Leroy launched Visa Pour l’Image, the international photojournalism festival, in Perpignan in 1989. Before heading up the festival, Leroy was shooting reportage for the agency Sipa Press and also working for Photo-Reporter, Le Photographe, Photo-Revue and Photo Magazine. He is the chairman of the company Images Evidence. Photo: 2008 Visa d'or Feature: Brent Stirton. Conservation Rangers from an Anti-Poaching unit work with locals to evacuate the bodies of four Mountain Gorrillas killed in mysterious circumstances in the park, July 24, 2007, Virunga National Park, Eastern Congo. (Photo by Brent Stirton/Exclusive by Getty Images)

Emma Watson poses at the winners boards at the Sony Ericsson Empire Film Awards at the Grosvenor House Hotel on March 9, 2008 in London England. (Photo by Dan Kitwood/Getty Images)

Henry Leese drives a 1952 British Rail Ivatt number 46512 at Strathspey Steam Railway on August 27, 2013 in Aviemore,Scotland. This year marks the 150th anniversary of the Highland Main Line built as a transportation link to the South for lairds and landowners living in northern Scotland. (Photo by Jeff J. Mitchell)

A French Bulldog named Nord Boss stands an the back of his owner Natasha while they skateboard in the Sokolniki Park in Moscow, Russia on October 14, 2020. (Photo by Evgenia Novozhenina/Reuters)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)