The burning Polaris of Jose Antonio Blangino of Argentina sits in the sand dunes during stage one of the 2012 Dakar Rally from Mar Del Plata to Santa Rosa de la Pampa on January 1, 2012 in Santa Rosa de la Pampa, Argentina. (Photo by Bryn Lennon/Getty Images)

Saira Liaqat, 22, a victim of acid violence who was burned 4 years ago, poses in Islamabad, June 11, 2007. Saira is from Lahore and was attacked with acid thrown on her over an argument relating to an arranged marriage. (Photo by Paula Bronstein/Getty Images)

People carry bags containing their belongings past a burning residential block, caused by a recent shelling according to locals, on the outskirts of Donetsk, eastern Ukraine February 9, 2015. (Photo by Maxim Shemetov/Reuters)

Carnival revellers carry burning wooden sticks during the traditional Swiss Chienbaese celebration in Liestal near Basel February 22, 2015. (Photo by Ruben Sprich/Reuters)

A Mexican soldier burns coca plants in the mountainous area of Atoyac de Alvarez, Guerrero state, Mexico, on February 15, 2023. (Photo by Francisco Robles/AFP Photo)

A statue is seen at the theme park “Love Land” on October 19, 2011 in Jeju, South Korea. Love Land is an outdoor sеx-themed sculpture park which opened in 2004 on Jeju Island. The park runs sеx education films and features 140 sculptures representing humans in various sеxual positions. It also has other elements such as large phallus statues, stone labia, and hands-on exhibits such as a “masturbation-cycle”. (Photo by James Jiao/Rex Features/Shutterstock)

For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)

Ray Collins is a colorblind Australian coal miner who is in love with the ocean. He spends his off days photographing it. Collins says he enjoys capturing the moment before the moment, the anticipation, not knowing how the end of the wave's journey will play out. (Photo by Ray Collins)