A Ukrainian serviceman hugs his relative after returning from captivity during a POWs exchange between Russia and Ukraine, in Ukraine, Monday December 30, 2024. (Photo by Evgeniy Maloletka/AP Photo)
“Patricia Piccinini (born in 1965 in Freetown, Sierra Leone) is an Australian artist and hyperrealist sculptor. Her art work came to prominence in Australia in the late 1990s. Her major artworks often reflect her interests in issues such as bioethics, biotechnologies and the environment”. – Wikipedia
A “nail house”, the last building in the area, sits in the middle of a road under construction in Nanning, Guangxi Zhuang Autonomous Region April 10, 2015. According to local media, the owner of the house didn't reach an agreement with the local authority about compensation of the demolition. (Photo by Reuters/Stringer)
British actress and model Elizabeth Hurley (L) and English actress Pear Chiravara in “Strictly Confidential”, 2024, directed by Liz Hurley's son Damian Hurley. (Photo by Backgrid USA)
Cars sit abandoned in a former shopping centre in the United Nations buffer zone in central Nicosia March 12, 2014. The cars were imported from Japan to be sold at a Toyota dealership. They were stored here during the 1974 conflict and have not been moved since. (Photo by Neil Hall/Reuters)
Romanian singing duo Gabriella and Monica Irimia, The Cheeky Girls prforms in Falkirk, Scotland on May 4, 2003. (Photo by Michael Schofield/News Group Newspapers Ltd)
Papier-mache pandas, created by French artist Paulo Grangeon, are covered with conical hats as they are displayed under the rain at the financial Central district in Hong Kong June 21, 2014. The installation arrived in the city on Monday, launching the month-long “1600 Pandas World Tour in Hong Kong: Creativity meets Conservation” organized by a local art organiser, according to the official press release. (Photo by Tyrone Siu/Reuters)
“The artist herself produces the camouflage suit. For each photo, for each environment of her choice, she designs a new suit, which again and again has to be made with the greatest precision, or the illusive effect will not work. By uniting the figure with the background, Desiree Palmen reaches a surprising visual effect that requests a special effort for the observing eye: it must disentangle what is flat and what is spatial.”