People who fled the violence from Islamic State-controlled northern Syrian town of al-Bab arrive in the rebel-held outskirts of the town, Syria February 3, 2017. (Photo by Khalil Ashawi/Reuters)

A portrait of a young woman who died during a Russian attack is pictured with flowers next to her fresh grave in the cemetery of in Mykolaiv, southern Ukraine, on March 21, 2022. (Photo by Bulent Kilic/AFP Photo)

New Market traders rescue an injured shopkeeper who got hurt during a clash with students from Dhaka college in Dhaka on April 19, 2022. (Photo by Munir Uz Zaman/AFP Photo)

A red deer stag takes a mud bath in Wollaton Park near Nottingham, England on May 23, 2020. Gareth Williams, who took the photograph, said it was a “once in a lifetime shot”. (Photo by Gareth Williams/Kennedy News)

Pistachio, a puppy who was born with green fur, is seen on the day he was born on a farm on the island of Sardinia, in Pattada, Italy, October 9, 2020. (Photo by Cristian Mallocci/Handout via Reuters)

Mary Pickford takes a picture of husband Douglas Fairbanks, Sr., who is executing a handstand on the roof of a building on December 19, 1920. (Photo by Bettmann Archive/Getty Images)

Relatives perform the last rites before the cremation of their loved one who died due to the Covid-19 coronavirus at a cremation ground in Allahabad on May 4, 2021. (Photo by Sanjay Kanojia/AFP Photo)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.