The Dubai Miracle Garden is unique in that it was essentially built on a desert. Head landscaper Akar says that the grounds are a great example of how it is possible to “green the desert” by reusing waste water. Designers took additional precautions to protect the beautiful garden arrangements from the environment. For instance, the garden’s perimeter is lined with trees that are used as windbreakers. Unlike most of the gardens around the world, the Dubai Miracle Garden closes during the summer due to severe weather conditions.

This extraordinary series of close-up photos turns mundane insects into terrifying beasts from another world. The bugs are captured in intricate detail by photographer Javier Ruperez, using a special lens, revealing just how complex the tiny creatures are. (Photo by Javier Ruperez/Solent News & Photo Agency)

A Canadian fashion model Coco Rocha By Craig McDean. Vogue US (May 2008). Photographer: Craig McDean; Fashion Editor: Grace Coddington; Editorial: Daring Do; Model: Coco Rocha; Hair: Julien d’YS; Makeup: Diane Kendall. (Photo by Craig McDean/Vogue)

“I like to draw simple, creepy and weird illustrations on feet pictures of friends and people. When nobody volunteers I do it on my own feet. Everything is being done on the phone only”. – Uttam Sinha

A girl allows a butterfly to be placed on her nose at the Sensational Butterflies exhibition at the Natural History Museum on April 6, 2011 in London, England. The exhibition is divided up into five sensory zones exploring how butterflies see, hear, taste, smell and touch. The display containing hundreds of butterflies runs from April 12 to September 11, 2011. (Photo by Peter Macdiarmid/Getty Images)

With the city of Miami skyline behind it a grand piano is seen on a sandbar in Biscayne Bay on January 26, 2011 in Miami, Florida. It's unknown how or why the heavy musical instrument was on the sandbar but some were speculating it was part of a music video production. The piano was charred from being burned. (Photo by Joe Raedle/Getty Images)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.