British artist Nick Veasey used an X-ray machine to show us exactly what's going on under people's clothes. The equipment took copies of items separately before they were mashed together to create characters and situations. The work is part of Veasey's latest exhibition named “X-ray Voyeurism”. In order to create the work, the 51-year-old has spent the last 20 years exposing himself to harmful radiation in his studio. Photo: “Stripper”: Has tucked her cash away safely. (Photo by Nick Veasey/Barcroft Media)

To produce the images that convey his fatalistic and ironic approach to life, tinged with hope, he needed the environment and knowledge of Mother Russia, oiled with a bit of bribery to certain circus trainers. Enter the Great Russian Bear, the personification of Russia for the last several centuries, onto center stage and into his studio. The bear is recognized as both brutish and cute – Misha was the mascot for the 1980 Olympic Games – and has remained a symbol of Russia since Tsarist times. In 2009 it is the symbol of the United Russia Party.

“Douglas Fisher has worked in the photographic industry for more than 25 years, starting out at 19 as an assistant before establishing his own studio, just two years later. Here, Douglas would go on to be among the first to champion the emerging worlds of digital photography and CGI, identifying early the transformative impact they would bring to advertising and high end photography”. – Tim Mitchell

Photo: «Carlsberg Launch». (Photo by Douglas Fisher)

A poster by street artist Aaron Li-Hill as part of the "Brandalism" project is displayed at a bus stop in Paris, France, November 28, 2015, ahead of the United Nations COP21 Climate Change conference in Paris. Brandalism is a revolt against corporate control of the visual realm. Following on in the guerilla art traditions of the 20th Century and taking inspiration from Agitprop, Situationist and Street Art movements, the Brandalism project sees artists from around the world collaborate to challenge the authority and legitimacy of commercial images within public space and within our culture. (Photo by Benoit Tessier/Reuters)

“The Space Launch System, or SLS, is a Shuttle-Derived heavy launch vehicle being designed by NASA, following the cancellation of the Constellation Program, to replace the Space Shuttle after its retirement. The NASA Authorization Act of 2010 envisions the transformation of the Ares I and Ares V vehicle designs into a single launch vehicle usable for both crew and cargo. It is to be upgraded over time with more powerful versions. The proposed SLS is visually similar to the legacy Saturn V booster and in particular the proposed, two-stage, Saturn INT-20”. – Wikipedia

Photo: In this illustration provided by NASA, the design for a new space rocket system, the Space Launch System, is seen. NASA's new rocket design will reportedly cost about $35 billion and be ready to for test launch in 2017. According to NASA, the rocket will be used to carry Orion Multi-Purpose Crew Vehicle as well as cargo and science experiments to earth's orbit, as a backup for the space station and possibly destinations beyond that. (Illustration by NASA via Getty Images)

“Joan Miro i Ferra (April 20, 1893 – December 25, 1983) was a Spanish Catalan painter, sculptor, and ceramicist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miro expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an “assassination of painting” in favour of upsetting the visual elements of established painting”. – Wikipedia

Photo: Joan Miro's, grandsons, Emilio Fernandez Miro and Joan Punyet Miro pose beside Personnage (1970) in the Yorkshire Sculpture park on March 14, 2012 in Wakefield, England. Yorkshire Sculpture Park stages the first major UK survey of sculpture by Spanish artist Joan Miro. (Photo by Bethany Clarke/Getty Images)

“Serengeti National Park encompasses 5,700 square miles of grassy plains and woodlands near the northern border of Tanzania, and is home to more than 3,500 lions grouped into a couple dozen prides. Photographer Nick Nichols and videographer Nathan Williamson made several extended trips to the Serengeti between July 2011 and January 2013, determined to break new visual ground in their coverage of the Serengeti Lions”. Photo: Cubs of the Simba East pride: too young to kill but old enough to crave meat. Adult females, and sometimes males, do the hunting. Zebras and wildebeests rank high as chosen prey in the rainy season. (Photo by Michael Nichols/National Geographic via The Atlantic)