The Blue Man Group performs on stage during a media preview ahead of their show in Singapore on March 31, 2016. Blue Man Group was started by three friends in New York in 1991 as a way to celebrate the human spirit through music, science, art and theater. (Photo by Roslan Rahman/AFP Photo)

Frankie the Dinosaur, mascot of the United Nations Development Program “Don't Choose Extinction” visits Times Square spreading his climate-related message in New York on September 21, 2022. (Photo by Alex Kent/AFP Photo)

A demonstrator holds up her fist, in front of police officers during a protest, organised by Black Lives Matter Belgium, against racial inequality in the aftermath of the death in Minneapolis police custody of George Floyd, in central Brussels, Belgium on June 7, 2020. (Photo by Yves Herman/Reuters)

A girl poses in antlers ahead of a curfew on pub in Nottingham, a city in central England’s Midlands region on September 21, 2020 as Freshers' Week got underway. Revellers were also pictured out in Birmingham, which was plunged into a local lockdown amid a surge in coronavirus cases. (Photo by Ashley Kirk/The Sun)

A demonstrator participates in a chant outside the Main Building on campus with hundreds of other students. Professors, students, and supporters of UT-Austin demonstrate on campus, Thursday, April 25, 2024, in Austin. (Photo by Ricardo B. Brazziell/Austin American-Statesman via AP Photo)

A model presents a creation by French designer Jean Paul Gaultier as part of his Spring/Summer 2015 women's ready-to-wear collection during Paris Fashion Week September 27, 2014. (Photo by Gonzalo Fuentes/Reuters)

Vardzia is a cave monastery site in southern Georgia, excavated from the slopes of the Erusheti Mountain on the left bank of the Mtkvari River, thirty kilometres from Aspindza. The main period of construction was the second half of the twelfth century. The caves stretch along the cliff for some five hundred metres and in up to nineteen tiers. The Church of the Dormition, dating to the 1180s during the golden age of Tamar and Rustaveli, has an important series of wall paintings. The site was largely abandoned after the Ottoman takeover in the sixteenth century. Now part of a state heritage reserve, the extended area of Vardzia-Khertvisi has been submitted for future inscription on the UNESCO World Heritage List