“The Tibetan Mastiff also known as Do-khyi (variously translated as “home guard”, “door guard”, “dog which may be tied”, “dog which may be kept”), reflects its use as a guardian of herds, flocks, tents, villages, monasteries, and palaces, much as the old English ban-dog (also meaning tied dog) was a dog tied outside the home as a guardian. However, in nomad camps and in villages, the Do-khyi is traditionally allowed to run loose at night and woe be unto the stranger who walks abroad after dark”. – Wikipedia

Photo: A man displays a Tibetan Mastiff he raised during the Tibetan Mastiff exposition on April 7, 2007 in Langfang of Hebei Province, China. (Photo by China Photos/Getty Images)

“Cassowaries are large, flightless birds related to emus and (more distantly) to ostriches, rheas, and kiwis”, writes Olivia Judson in the September issue of National Geographic magazine. How large? People-size: Adult males stand well over five foot five and top 110 pounds. Females are even taller, and can weigh more than 160 pounds. Dangerous when roused, they’re shy and peaceable when left alone. But even birds this big and tough are prey to habitat loss. The dense New Guinea and Australia rain forests where they live have dwindled. Today cassowaries might number 1,500 to 2,000. And because they help shape those same forests – by moving seeds from one place to another – “if they vanish”, Judson writes, “the structure of the forest would gradually change” too. (Photo by Christian Ziegler/National Geographic)

This photo provided by Joan Marcus on August 28, 2015 shows ballerina Misty Copeland in the musical “On the Town” at the Lyric Theatre in New York. Until September 6, 2015 Copeland will play Miss Turnstiles, a love interest for one of three sailors enjoying a few hours of shore leave in 1940s New York. (Photo by Joan Marcus via AP Photo)

A man passes by an unfinished street art graffiti made in a stairway by French street artists Zag and Sia in Paris on March 1, 2016. The two artists drew inspiration from famous “Liberty Leading the People” (La Liberte guidant le peuple) painting by French Eugene Delacroix commemorating the July Revolution of 1830 and viewed as a symbol of the French Republic. (Photo by Joel Saget/AFP Photo)

Bikini-clad women ski as they are led by a car during a performance on the frozen Yenisei River outside Krasnoyarsk, Siberia, Russia, March 20, 2016. The performance, entitled “Siberian Spring's Strings” and created with the participation of artist Vasily Slonov, marked the day of spring equinox (vernal equinox), according to organizers. (Photo by Ilya Naymushin/Reuters)

Derek Hough, right, and Julianne Hough, co-winners of the award fo rOutstanding Choreography for “Dancing with the Stars”, pose in the press room at the Creative Arts Emmy Awards at the Microsoft Theater on Saturday, September 12, 2015, in Los Angeles. (Photo by Chris Pizzello/Invision/AP Photo)

Dancers from the “Legend Lin Dance Theatre” perform the artistic director and choreographer Li-chen Lin's classic works “Hymne aux Fleurs qui Passent, Anthem to the Fading Flowers” during a rehearsal at the National Theater Concert Hall in Taipei, Taiwan, Tuesday, August 18, 2015. “Hymne aux Fleurs Qui Passent” pays tribute to the cycle of the year and the complementary principles of Yin and Yang whose eternal struggle provides the driving force behind the changing of the seasons. (Photo by Chiang Ying-ying/AP Photo)

Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch as a friend of hers looks on at Beijing Now Art Gallery, in Beijing August 11, 2014. Zhou started her art project titled “36 Days” on August 9, in which she would live inside an exhibition hall with an unfinished iron wire bed, some iron wire sculptures in the shape of stuffed animal dolls, a certain amount of food and her mobile phone, for 36 days. The entire process is open to visitors and she may also interact with them, according to Zhou. (Photo by Jason Lee/Reuters)