A wide-angle view shows the ascent of the shuttle Challenger on January 28, 1986. In the seconds after ignition, the rocket engines' hot blast began the process of destruction. (Photo by NASA)

British captain A. Gatti and two pygmies with a 500lb gorilla strung from a pole, which the captain shot in the Tchibinda forest in the Lake Kivu region, Democratic Republic of the Congo, circa 1930. (Photo by General Photographic Agency). P.S. All pictures are presented in high resolution.

A woman plays with a kitten inside of a line house in downtown Shanghai April 12, 2015. (Photo by Carlos Barria/Reuters)

Indian Muslim devotees travel in an auto rickshaw during the Urs festival in Ajmer, India, Thursday, April 23, 2015. Thousands of devotees from different parts of India travel to the shrine of Sufi saint Khwaja Moinuddin Chisht for the annual festival marking the saint's death anniversary. (Photo by Deepak Sharma/AP Photo)

Contestants of a tourism beauty pageant balance eggs on their collarbones as they cruise along the Yellow River in Jiyuan, Henan province, China, June 22, 2015. The contestants believe that if they are slim enough, their collarbones will allow them to balance the eggs securely on their bodies. (Photo by Reuters/Stringer)

Maharashtrian women dressed in traditional costumes attend celebrations to mark the Gudi Padwa festival in Mumbai March 21, 2015. The festival marks the beginning of the new year for Maharashtrians and is celebrated widely in Maharashtra and in the Konkan region. (Photo by Danish Siddiqui/Reuters)

From the rocks of Arnhem Land to the backyards of the Sydney suburbs, from stretching by the pool to waiting for evening prayer, snapshots for the 2015 Australian Life prize demonstrated a nation in colour and motion. Here: Children Cooling Off at Dhiari Homeland. Local children get wet and cool in Arnhem Land. (Photo by Matthew Abbott/Australian Life Prize 2015)

Photographer Sandro Giordoan has created a photo series of people who look like they’ve just taken terrible falls, spilling all their things around them. “Each shot ‘tells’ about worn out characters who, as if a sudden black-out of mind and body took over, let themselves crash with no attempt to save themselves, unable, because of the fatigue of the everyday ‘representation’ of living, oppressed by ‘appearance’ instead of simply ‘existing’,” said Giordano. (Photo by Sandro Giordoan)