Adventurer Sam Cossman movies towards the huge lava lake wearing a custom built industrial proximity heat suit on December 20, 2014 in Ambrym, Vanuatu. (Photo by Conor Toumarkine/Barcroft Media)

Jockeys and their horses reflect in the water of Laytown Beach during the third race of the day at the Laytown Races in Co Meath, Ireland on Tuesday, September 12, 2023. (Photo by Clodagh Kilcoyne/Reuters)

Participants race during the Red Bull Box Cart Race challenges in Bo Kaap, one of the iconic neighbourhoods in Cape Town, South Africa on November 6, 2022. (Photo by Esa Alexander/Reuters)

Alex Jones races in the second set of heats during the “T-Rex World Championship Races” at Emerald Downs, Sunday, August 20, 2023, in Auburn, Wash. (Photo by Lindsey Wasson/AP Photo)

A jockey rides her horse on mud flats during the tideland race (Wadden Race) in Duhnen, Lower Saxony, Germany, July 12, 2015. (Photo by Fabian Bimmer/Reuters)

Cars at a car dealership are seen in the flooded village of Fischerdorf, near Deggendorf June 7, 2013. REUTERS/Michaela Rehle

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

A racegoers cheers on her horse in Race 4 ahead of the race of the Melbourne Cup at Flemington Racecourse in Melbourne, Australia, Tuesday, November 7, 2017. (Photo by Andy Brownbill/AP Photo)