While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

A woman (L) places flowers at a grave next to a mummified body during exhumation works at the General Cemetery in Guatemala City, April 15, 2015. If a lease on a grave has expired or not been paid, grave cleaners will break open the crypts to remove and rebury the bodies. Any remains that have not been claimed are packed into plastic bags, labeled and stored in mass graves. Bodies that have been stored in the upper crypt are exposed to dry and sunny conditions which means they do not decompose and instead become mummified. (Photo by Jorge Dan Lopez/Reuters)

Merit: A Night at Deadvlei. The night before returning to Windhoek, we spent several hours at Deadveli. The moon was bright enough to illuminate the sand dunes in the distance, but the skies were still dark enough to clearly see the milky way and magellanic clouds. Deadveli means “dead marsh. The camelthorn trees are believed to be about 900 years old, but have not decomposed because the environment is so dry. (Photo and caption by Beth McCarley/National Geographic Traveler Photo Contest)

Some companies in Taiwan spend months building temples with bricks and cement, but Lin Fu-Chun's firm simply pours concrete into a giant mould and waits for it to dry. The 78-year-old Lin said his temple factory, Chuanso, needed just over six weeks to finish a building that normally took six months with conventional methods – and moulding was 40 percent cheaper. Here: An employee paints a ready-made Chinese traditional temple at the Chuanso factory that manufactures religious objects in Pingtung, Taiwan July 5, 2016. (Photo by Tyrone Siu/Reuters)

Is it a leaf? Is it tree bark? No, it’s the Satanic leaf-tailed gecko. Cleverly disguised as a rotting leaf, Madagascar’s camouflage king has red eyes, pointy horns and a taste for night hunting: it’s nature’s most devilish deceiver. The twisted body and veiny skin echo the detail of a dry leaf, which ensures the gecko blends in with its forest home. The mottled tail appears to have sections missing, as though it has withered over time. This mini-monster epitomises survival of the fittest, having adapted gradually to become today’s extraordinary leaf impersonator. (Photo by Thomas Marent/ARDEA)

Queenie Liao is an artist but first of all a mother and she wanted to show that you can be both… at the same time. With her creative photography she caught the dreams of her child during his sleeps: the result is a brilliant compilation of photos where her baby is the absolout protagonist. Pacific as if nothing happens around him, his daily sleeps are transformed by Queenie Liao into fascinating fairy tales by using plain cloths, stuffed animals, and other common household . A brillaint work that makes us remember our childhood, where our dreams were full of magic.

In this Monday, October 27, 2014 photo, models wait to walk a runway before a show in Neve Tirza prison in Ramle, central Israel. Neve Tirza, Israel's only women's prison, hosted its first fashion show Monday where models on towering heels strutted on a red catwalk, showcasing clothes designed and made by inmates. (Photo by Oded Balilty/AP Photo)

Two holy men with a decorative faces and headdresses, taken in Kathmandu, Nepal. Wandering through the cities and forests of Nepal are the holy men, or Sadhus, who have left all materialistic pleasures behind to live a life devoted to God. Their appearances vary from brightly coloured face paints, and decorations, to minimalistic practical clothing, but they all represent the fundamental values and meanings of Hinduism. Danish photographer Jan Moeller Hansen visited the ancient capital city of Kathmandu between 2013 and 2016 and documented the mysterious holy wanderers. (Photo by Jan Moeller Hansen/Barcroft Images)