“I was born in 1977 in Warsaw, Poland. I had graduated from the High School of Art in Warsaw. My journey into the world of photography began in the early 90's, but at that time my biggest passion was painting. Painting helped me develop vision that was hard to create. Unfortunately I had to leave the paintbrush and canvas. A few years ago, I opened “the door” to my own world with help of a different key”... – Michal Karcz. Photo: “Last Outpost”. (Photo by Michal Karcz)

Syrian girls carry bags with bread as people queue up outisde a bakery in a rebel held neighbourhood in the northern city of Aleppo on July 12, 2016. Since mid-2012, Aleppo has been roughly divided between government control in the west and rebel control in the east, and has suffered enormous destruction in the war that has killed more than 280,000 people nationwide. Last week, a government advance brought regime troops within firing range of the Castello Road, the only remaining supply route into the opposition-held east, effectively severing rebel neighbourhoods from the outside world. With their route to the outside world cut, there is no new flour coming to the city's bakeries, and fuel to light their ovens is also now hard to find. (Photo by Karam Al-Masri/AFP Photo)

Karezoid Michal Karcz is a photographer from Warsaw, Poland. He first started with painting, which helped him to develop a vision that was hard to create with other visual techniques. Then in early 90s discovered photography. His early fascinations of painting and photography have been combined into one piece, with the use of digital tools. Digital photography gave him the opportunity to generate unique realities that were impossible to be created with an ordinary dark room techniques.

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Sun Jifa, a farmer in China, had his life changed forever when an explosive he planned on using for fishing went off prematurely. He lost his arms and when he couldn’t afford high-end, hospital-made prosthetics he opted for a cheaper set. Finding those to be less than acceptable, Sun started building his own pair of arms, which he currently wears. It’s an incredible story of ingenuity and personal strength.

“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

A man takes a picture of part of what is set to be the UK's largest street art project on August 19, 2011 in Bristol, England. The See No Evil art project on Nelson Street in Bristol will see several multi story buildings in the street covered with art over the coming days. Organisers hope that the project, which has involved top graffiti artists from all over the world, will become a major tourist attraction for the west country city, often said to the spiritual home of Banksy. (Photo by Matt Cardy/Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.