Chris Renshaw has recently been awarded the 2015 Africa Geographic “Photographer of the Year” award. Chris tells that his love “for anything wild and adventurous came from a deep rooted attachment to the African continent. This image shows that timing, a bit of anticipation, and luck allowed this incredible moment in time to be captured”. (Photo by Chris Renshaw)

Fat Jew makes his entrance at the first birthday party for White Girl Rosé hosted by Elite Daily at The Dream Downtown, Sunday, July 17, 2016, in New York. (Photo by Diane Bondareff/Invision for White Girl Rosé/AP Images)

A 40-foot sculpture of the swimmer Rebecca Adlington was unveiled at the Serpentine in London’s Hyde Park on July 25, 2016 to launch a campaign by Kelloggs to encourage the public to support Team GB at the Rio Olympics. (Photo by David Parry/PA Wire/Barcroft Images)

A man roasts dog at Langowan traditional market on August 9, 2014 in Langowan, North Sulawesi. The Langowan traditional market is famous for selling a variety of extreme food such as dogs, bats, rats, wild boar, and snakes. (Photo by Putu Sayoga/Getty Images)

(L-R) Recording artists Jessie J, Ariana Grande, and Nicki Minaj perform onstage during the 2014 MTV Video Music Awards at The Forum on August 24, 2014 in Inglewood, California. (Photo by Michael Buckner/Getty Images)

Macro or Micro? Scientists’ pictures baffle our sense of scale. It began when Stephen Young, a geography professor at Salem State University in Massachusetts, tricked his biologist colleague Paul Kelly into thinking a satellite image was one of his electron microscope scans. Can you guess whether they are close-up or very far away? (Photo by Paul Kelly)

A full size working replica of the pink limousine used by Parker to chauffeur Lady Penelope in Gerry Anderson's television series “Thunderbirds”, unveiled at Woburn Abbey. United Kingdom, 27th May 1968. (Photo by Jim Gray/Keystone/Getty Images)

Do tears of joy look the same as ones of woe—or ones from chopping onions? In “The Topography of Tears,” the Los Angeles-based photographer Rose-Lynn Fisher explores the physical terrain of one hundred tears emitted during a range of emotional states and physical reactions. Using a Zeiss microscope with an attached digital camera, she captures the composition of tears enclosed in glass slides, magnified between 10x and 40x. “There are many factors that determine the look of each tear image, including the viscosity of the tear, the chemistry of the weeper, the settings of the microscope, and the way I process the images afterwards,” she says.