Anil Saxena from Mumbay, India creates amazing photo manipulations using Photoshop. These surreal photos will truly amaze you. Anil started out doing conventional darkroom photo composition and retouching them before moving these skills over to Photoshop.

Venezuelan Hildemaro Ortiz relaxes inside of an abandoned bus in the border city of Pacaraima, Brazil on April 13, 2019. Ten destitute Venezuelan migrants who fled their country's crisis did not get far when they crossed into Brazil: they have been living for three months on an abandoned bus just across the border. (Photo by Pilar Olivares/Reuters)

A young man, who says he is part of a local criminal gang, poses for a picture holding a gun in the neighbourhood of Korogcho in Nairobi, Kenya, March 19, 2015. Around 2 million people live in the shantytowns packed in around Kenya's capital. Crime is high amid chronic unemployment levels, while basic services and sanitation are scarce. Residents try to make the best of things, eking out a living and picking up work where they can. (Photo by Siegfried Modola/Reuters)

Olaf Niess catches swans on the river Alster near the town hall in Hamburg, Germany, 17 November 2015. The Alster swans are moving to their ice-free winter quarters on the Eppendorf Muehlenteich millpond until spring. (Photo by Bodo Marks/EPA)

An airplane house is pictured in the village of Miziara, northern Lebanon May 12, 2015. Miziara prides itself on building residential homes that resemble ancient Greek temples and Egyptian ruins, one is even built in the shape of an Airbus A380. (Photo by Aziz Taher/Reuters)

Luna Portnoi emerging Argentine Artist Luna Portnoi has been developing her practice in Buenos Aires for over five years. Her work is deeply connected to themes of color, nature, astronomy, childhood, magic, ancient civilizations, collaboration and the passions, openness and emotions we experience as children that are often left behind in adulthood. Already well known in Buenos Aires, the Artist has also received international press coverage.