Actress Anya Taylor-Joy is seen at NBC's “Today” show on February 04, 2025 in New York City. (Photo by Jose Perez/Bauer-Griffin/GC Images)

Yakut artists present a performance based on the national Yakut epic “Olonkho” on the stage of the Kyrgyz Academic Opera and Ballet Theater in Bishkek, Kyrgyzstan, 24 April 2024. The State Opera and Ballet Theater of the Republic of Sakha (Yakutia) is on tour in Bishkek on April 24 and 26. (Photo by Igor Kovalenko/EPA/EFE)

Indian wrestlers Rashid Anwar (left) and Ajaib Singh in a training bout at Lane's Club in Baker Street London before the Empire Games, 19th July 1934. (Photo by Keystone/Hulton Archive/Getty Images)

Art photography gallery Lumas has opened its doors to “Masterpieces of Fashion Photography” exhibition at its London flagship space, showcasing previously unreleased images by legends such as Horst P. Horst, Edward Steichen, Bert Stern and Arthur Elgort. Here: Darryl Hannah on elephant, 1992. (Photo by Michel Comte/Vogue Archive Collection)

Amal Clooney attends the “Money Monster” premiere during the 69th annual Cannes Film Festival at the Palais des Festivals on May 12, 2016 in Cannes, France. (Photo by Andreas Rentz/Getty Images)

As the sun rises, Gentoo penguins start their day on Wednesday, February 17, 2016, on Sea Lion Island, Falkland Islands. Sea Lion Island, which lies about 10 miles to the south of mainland East Falkland, is the southern most human-inhabited island of the more than 750 islands and islets of the Falkland Islands. (Photo by Jahi Chikwendiu/The Washington Post)

The Enemy, 1944. With the outbreak of world war two, photojournalism was enlisted in defence of Mother Russia. In this photo by Anatoli Egorov, who was wounded in action, corporal Stepan Vasiljevich Ovcharenko shoots at enemy troops with a machine gun. (Photo by Anatoli Egorov/Lumiere Brothers Center for Photography)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.