A cat sits in front of a retro car owned by retired mechanic Mikhail Krasinets at an open-air museum of Soviet-era vehicles in the village of Chernousovo, Tula region, Russia on September 27, 2018. In the remote village of Chernousovo, retired mechanic Mikhail Krasinets tends to more than 300 ramshackle, Soviet-era cars, remnants of a once vibrant auto industry that crumbled with the fall of the Soviet Union. (Photo by Maxim Shemetov/Reuters)

A specialist from a local veterinary service wears a protective suit as sprays disinfectant near Russian tanks displayed at area near Proryv (The Breakthrough) museum dedicated to the breakthrough of the Siege of Leningrad during World WarII near Kirovsk, about 30 kilometres (19 miles) east of St.Petersburg, Russia, Thursday, April 2, 2020. (Photo by Dmitri Lovetsky/AP Photo)

A store mannequin with a protective mask stands before a clothes store as they open for the first time since March during the novel coronavirus (COVID-19) pandemic on April 22, 2020 in Berlin, Germany. Small to midsized-shops are opening across Germany this week as state authorities follow a recommendation by the federal government to ease restrictions imposed in March meant to slow the spread of the coronavirus. Some schools are also planning to reopen soon, as are museums and hair salons in coming weeks. (Photo by Maja Hitij/Getty Images)

Nathan Sawaya is a New York-based artist who creates awe-inspiring works of art out of some of the most unlikely things. His recent global museum exhibitions feature large-scale sculptures using only toy building blocks. LEGO bricks to be exact. Photo: “Blue man sits in chair”. (Photo by Nathan Sawaya/The Art of the Brick)

Gunther Holtorf, a 75-year-old former airline CEO who has driven more than 900,000 kilometers over the past two decades, doesn't care if you remember his travels. But you better respect Otto, his G Wagon that will be placed in a museum if it makes it through this final leg.

Mug shot of De Gracy (sic) and Edward Dalton. Details unknown. Central Police Station, Sydney, around 1920. (Photo by NSW Police Forensic Photography Archive, Justice & Police Museum, Histiric Houses Trust of NSW)

A visitor to ''The Cult of Beauty: The Aesthetic Movement 1860-1900'' exhibition at The V&A Museum looks at sculptures by Thornycroft (L) and Watts on March 30, 2011 in London, England. This exhibition brings together for the first time many masterpieces in painting, sculpture, design and furniture as well as fashion and literature and runs from April 2nd to July 17th 2011.

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)