In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

A tow car for the children's “Grand Prix” races which take place in a parking lot in Livonia, Michigan a suburb of Detroit, circa 1955. (Photo by Three Lions/Getty Images)

An employee controls the arms of a manned biped walking robot “METHOD-2” during a demonstration in Gunpo, South Korea, December 27, 2016. It stands 13-feet (3,96 m) tall, weighs 1.3 tons and wields a pair of 286-pound (129,73 kg), motion-tracking metal arms. (Photo by Kim Hong-Ji/Reuters)

Bella Hadid attends the Los Angeles Lakers Vs New York Knicks game at Madison Square Garden on December 12, 2017 in New York City. (Photo by James Devaney/Getty Images)

A model sports a creation by the Hungarian label Romani Design during a show of the second bi-annual Budapest Central European Fashion Week in Budapest, Hungary, 26 October 2018. (Photo by Zoltan Balogh/EPA/EFE)

Members of the audience sit in the centre of the catwalk as the watch models for the C/MEO Collective walk by at Fashion Week Australia in Sydney on May 17, 2017. (Photo by Jason Reed/Reuters)

At the Krasnopresnenskaya station, the benches come from the Cathedral of Christ-Sauveur, which was built from 1839 to 1883 in memory of the victory of Russia against the army of Napoleon I. The cathedral was destroyed under Stalin in 1931, but the benches remained intact. Metro architects decided to install them in some stations. (Photo by Didier Bizet/The Washington Post)