Serbian police officers of the Special Anti-Terrorist Unit pose for a picture in their base outside Belgrade October 8, 2014. When the killing of an unarmed black teenager by a white policeman in Ferguson, Missouri, in August sparked sometimes violent protests, the response of police in camouflage gear and armoured vehicles wielding stun grenades and assault rifles seemed more like a combat operation than a public order measure. Some U.S. police departments have recently acquired U.S. military-surplus hardware from wars abroad, but there are many law enforcers around the world whose rules of engagement also allow the use of lethal force with relatively few restrictions. But for every regulation that gives police wide scope to use firearms, there is another code that sharply limits their use. In Serbia, police may use measures ranging from batons to special vehicles, water cannon and tear gas on groups of people who have gathered illegally and are behaving in a way that is violent or could cause violence, but they may use firearms only when life is endangered. (Photo by Marko Djurica/Reuters)

A protester clashes with a police officer in Athens' central Syntagma (Constitution) Square in this June 15, 2011 file photo. Greece triggered the regional financial crisis in 2009 when a far higher budget deficit than previously calculated emerged. The collapse of talks with creditors in Paris last November set off a month-long sequence of events leading to elections this week and proving Greece is still the region's weak link. The vote is expected to be won by Syriza, a far-left party opposed to the bailout, worrying investors and creditors alike. (Photo by Yannis Behrakis/Reuters)

A female Kurdistan Workers Party (PKK) fighter stands near a security position in Sinjar, March 13, 2015. Women fighters at a Kurdistan Workers Party (PKK) base on Mount Sinjar in northwest Iraq, just like their male counterparts, have to be ready for action at any time. Smoke from the front line, marking their battle against Islamic State, which launched an assault on northern Iraq last summer, is visible from the base. Many of the women have cut links with their families back home; the fighters come from all corners of the Kurdish region. (Photo by Asmaa Waguih /Reuters)

A female Kurdistan Workers Party (PKK) fighter works on her laptop while watching a Kurdish TV station at a base in the Sinjar mountains, March 11, 2015. Women fighters at a Kurdistan Workers Party (PKK) base on Mount Sinjar in northwest Iraq, just like their male counterparts, have to be ready for action at any time. Smoke from the front line, marking their battle against Islamic State, which launched an assault on northern Iraq last summer, is visible from the base. Many of the women have cut links with their families back home; the fighters come from all corners of the Kurdish region. (Photo by Asmaa Waguih/Reuters)

Negin Ekhpulwak, leader of the Zohra orchestra, an ensemble of 35 women, practises on a piano at Afghanistan's National Institute of Music, in Kabul, Afghanistan April 9, 2016. Playing instruments was banned under Taliban rule in Afghanistan, and even today, many conservative Muslims frown on most forms of music. Living in an orphanage in the capital, Kabul, 19-year-old Negin Ikhpolwak leads an ensemble of 35 women that plays both Western and Afghan musical instruments. In a country notorious internationally for harsh restrictions on women in most areas of life, Negin's story highlights a double challenge. (Photo by Ahmad Masood/Reuters)

George Harrison of the Beatles sits cross-legged with his musical mentor, Ravi Shankar of India, a sitar virtuoso, in Los Angeles, August 3, 1967, as Harrison explains to newsmen that Shankar is teaching him to play the sitar, a 25-stringed guitar-like instrument. Harrison said “Indian music makes God come through in a spiritual way”. (Photo by AP Photo)

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Ivorian police officers of the Anti-Riot Brigade (BAE) contain the crowd during a performance by French rapper Okou Armand Gnakouri known as Kaaris during the Festival of Urban Music of Anoumabo (Femua) in Abidjan on April 28, 2019. The performance of French-Ivorian rapper Kaaris at the Festival of Urban Music of Anoumabo (Femua) in Abidjan escalated into violence after a crowd surge, causing some minor injuries, according to an AFP journalist at the concert. (Photo by Sia Kambou/AFP Photo)