A five meters high sculpture “Pentateuque” created by Contemporary French artist Fabien Merelle, is displayed in Central, business district of Hong Kong, Tuesday, May 21, 2013. The artwork brings to real life the fantastical and seemingly impossible act of an average man balancing a gigantic elephant. The elephant and the man are modeled on one at the Singapore Zoo and on the artist himself. (Photo by Kin Cheung/AP Photo)

Street art started out as unintelligible words written on concrete walls with spray paint by gang members or silly kids. Now, however, it evolved into a unique form of art that might stun and inspire awe in the onlookers. For example, the artist that goes by the name 1010 specializes in creating optical illusions. His creations look like portals into other dimensions, without any hint that it might simply be a flat concrete wall painted over with multicolored paints. These pieces of art are so good that it is hard not to reach out into these ‘holes’ to find out whether or not they are real. (Photo by 1010)

Zdzisław Beksiński, 24 February 1929 – 21 February 2005) was a renowned Polish painter, photographer, and sculptor. Beksiński executed his paintings and drawings either in what he called a 'Baroque' or a 'Gothic' manner. The first style is dominated by representation, with the best-known examples coming from his fantastic realism period when he painted disturbing images of a surrealistic, nightmarish environment. The second style is more abstract, being dominated by form, and is typified by Beksiński's later paintings.

Beksiński was murdered in 2005.

The London 2012 ArcelorMittal Orbit Sculpture at the Olympic park nears completion on November 4, 2011 in London, England. The Ј22 million sculpture designed by Anish Kapoor is nearly complete. Standing at 115 meters tall the permanent structure is Britain's largest artwork and houses an observation deck near the top. (Photo by Peter Macdiarmid/Getty Images)

Erika Sanada is an artist based in San Francisco, USA. Her concept is “Odd Things”. She want her audience to feel emotions that include excitement, astonishment and impact when they look at her artwork there are two reasons why she create odd, creepy and grotesque things. One is the memory of her childhood and the second is constant anxieties.

In an extraordinary act of devotion to his art, sculptural artist Spencer Byles spent a year creating beautiful sculptures out of natural and found materials throughout the unmanaged forests of La Colle Sur Loup (where he lived with his family), Villeneuve Loubet and Mougins. He worked together with elements of his natural surroundings to create artwork that blends seamlessly with the environment.

This is the stunning body of work by a talented painter – who transforms humans into amazing animals. From alligators to foxes and even owls, artist Shannon Holt, 39, paints every little detail on models to turn them into wildlife. The incredible paintings, which take anywhere between six to 12.5 hours to complete, are part of her Florida Wildlife Series. Shannon, from DeLand, Florida, previously worked on different surfaces such as glass, metals and wood. But the animal advocate decided to experiment with human canvasses and incorporate animals in her work. Here: Red Fox. (Photo by Ryder Gledhill/Shannon Holt/Caters News)

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”