Women take pictures between stone sculptures of half-buried people at the Lapindo mud field in Sidoarjo, October 11, 2015. Disaster tourism has become more common in Indonesia, where visitors are drawn to sites of earthquakes, floods and volcanic eruptions to witness the aftermath of catastrophes or simply do some soul-searching. (Photo by Reuters/Beawiharta)

Traditional sculptures by Chin tribe in, Mindat, Myanmar, November 2016. In the mountains of Myanmar lives a tribe where the women have taken a unique approach to their beauty regime by decorating their faces with tattoos. The Chin people in the remote mountain town of Mindat, have been marking women in the area with intricate face tattoos for centuries. (Photo by Teh Han Lin/Barcroft Images)

A woman takes a selfie in front of a sculpture of a rooster that local media say bears resemblance to U.S. President-elect Donald Trump, outside a shopping mall in Taiyuan, Shanxi province, China December 30, 2016. (Photo by Jon Woo/Reuters)

A woman takes a picture of a sculpture depicting servant Puck from Shakespeare's comedy “A Midsummer Night's Dream” during a flower festival in Pakruojis, Lithuania on August 14, 2021. (Photo by Ints Kalnins/Reuters)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)

Chinese artist Zhou Jie takes a nap on an unfinished iron wire bed, one of her sculpture works, after lunch as a friend of hers looks on at Beijing Now Art Gallery, in Beijing August 11, 2014. Zhou started her art project titled “36 Days” on August 9, in which she would live inside an exhibition hall with an unfinished iron wire bed, some iron wire sculptures in the shape of stuffed animal dolls, a certain amount of food and her mobile phone, for 36 days. The entire process is open to visitors and she may also interact with them, according to Zhou. (Photo by Jason Lee/Reuters)

A sculpture entitled “Powerless Structures, Fig.101” designed by Danish artist Michael Elmgreen and Norwegian artist Ingar Dragset is unveiled on the Fourth Plinth in Trafalgar Square on February 23, 2012 in London, England. (Photo by Oli Scarff/Getty Images)

The Mausoleum of the Giants, an immersive solo show of monumental sculptures by the artist Phlegm, is installed at Taylor’s Eye Witness Works in Sheffield, England on March 14, 2019. (Photo by Danny Lawson/PA Wire Press Association)