An Indian woman reacts while performing yoga at a railway station on International Women's Day, organised by Heal-Station in association with Western Railway, in Mumbai, India, 08 March 2023. (Photo by Divyakant Solanki/EPA/EFE/Rex Features/Shutterstock)

Cheyenne Catchpole and Erica Hill kiss during the annual LGBTQ+ Capital Pride parade in Washington on June 8, 2024. (Photo by Nathan Howard/Reuters)

A Palestinian girl cries as she stands above debris near a house that was hit during Israeli strikes in Khan Yunis in the southern Gaza Strip, on April 2, 2025. Israeli Defence Minister Israel Katz announced on April 2, a major expansion of military operations in Hamas-run Gaza, saying the army would seize “large areas” of the Palestinian territory. (Photo by Eyad Baba/AFP Photo)

Staff from Local Ocean Conservation and fishermen lifting a mature Loggerhead sea turtle into a car, after the turtle was hooked out on the open water and needs to be taken to observation in the rehabilitation centre before being released back into the ocean, in Watamu, Kenya on May 22, 2025. (Photo by Fredrik Lerneryd/AFP Photo)

A jaguar (Panthera onca) growls at the Mata Ciliar association, an organization for the conservation of biodiversity, in Jundiai, Sao Paulo state, Brazil on May 29, 2025. Twenty-five pumas and ten jaguars are currently recovering at the Brazilian Center for the Conservation of Neotropical Felines at Mata Ciliar, a site as large as 40 football fields where monkeys, wild dogs, maned wolves, ocelots, and other regional animals are also rehabilitated. (Photo by Nelson Almeida/AFP Photo)

Logan Edra of the United States, known as Logistx, competes in the Women's Breaking dance Round robin of the Paris 2024 Olympic Games at La Concorde in Paris, on August 9, 2024. (Photo by Angelika Warmuth/Reuters)

A pangolin carries its baby at a Bali zoo, Indonesia, Thursday, June 19, 2014. The pangolin baby was born on May 31. (Photo by Firdia Lisnawati/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)