A health worker gives a polio vaccine to a girl on a street in Lahore, Pakistan, Monday, June 27, 2022. Pakistan launched a new anti-polio drive on Monday, with the goal to vaccinate a million children across Pakistan. (Photo by K.M. Chaudary/AP Photo)

In this Monday, June 29, 2020 a man wearing a face mask to protect against coronavirus, walks past a hair product billboard on the street in Soweto, Johannesburg, South Africa. Africa now has more than a half-million confirmed coronavirus cases as the continent-wide total is now over 508,000 after South Africa recorded another day of more than 10,000 confirmed cases as a new global hot spot. (Photo by Themba Hadebe/AP Photo/File)

In this photo taken on March 11, 2019 an Afghan street vendor selling oranges waits for customers on a rainy day on the roadside in Jalalabad. (Photo by Noorullah Shirzada/AFP Photo)

A girl in an angel costume walks with her family past vegetable vendors in Havana, Cuba, Wednesday, April 10, 2019. (Photo by Ramon Espinosa/AP Photo)

Olga Carmona of Spain celebrates after scoring a goal during the FIFA Women's World Cup 2023 Final soccer match between Spain and England at Stadium Australia in Sydney, Australia, 20 August 2023. (Photo by Dean Lewins/EPA/EFE)

Luis Hernan was always curious about how wireless technologies like radio are transmitted through the air. So after finishing up his studies in architecture, computer science, and design, Hernan decided to research these invisible signals through a PhD at Newcastle University. Hernan set up a system that turned the wireless signals around him into colourful, ghostlike images using long-exposure photography, allowing people to see the strength of the signals around them. (Photo by Luis Hernan)

A Santa Claus puppet holding a Christmas tree is pictured against the sun in Berlin November 23, 2014. (Photo by Hannibal Hanschke/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)