A view of the world's highest 280-meter bungee jumping platform opened at the Milad Tower, a landmark in the Iranian capital Tehran, on September 11, 2024. The world's highest bungee jumping platform attracts great interest among the younger generation in Iran, especially women. Those who jump from the platform experience an unforgettable adventure with the thrill of soaring down from a height of 280 meters while watching the view of Tehran from above. (Photo by Fatemeh Bahrami/Anadolu via Getty Images)

North Korean leader Kim Jong Un smiles as he attends a flight training session by female fighter pilots Jo Kum Hyang and Rim Sol in this undated photo released by North Korea's Korean Central News Agency (KCNA) on June 22, 2015. (Photo by Reuters/KCNA/Antara Foto)

North Korean leader Kim Jong Un is hugged by children during his visit to Samjiyon County in this undated photo released by North Korea's Korean Central News Agency (KCNA) in Pyongyang November 28, 2016. (Photo by Reuters/KCNA)

Sébastien Del Grosso is a French artist and a photographer, who will allow you to enter the world of surrealism, which combines photography and hand-drawn art. His works masterfully blur the transition between the real photo and the picture. By viewing his works, we can see that Sébastien is not only a master of creating photo illusions, but also a person who tries to show his inner world through his art. His emotions, his feelings, his fears and desires are all vividly and skillfully expressed in simple strokes of a pencil. He is the continuation of his art. So much so, that he loses his identity, fearing it, but being unable to stop. (Photo by Sébastien Del Grosso)

July 23, 2013 – Kampala, Uganda. Helene and Diana train daily more than 2.5 hours by Innocent Kapalata, a passionate and ambitious former boxer. Amidst the shanty homes a group of ambitious fighters are trying to reach for a better life. (Photo by Peter Bauza/ZUMA Press/VISUAL Press)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)

A woman talks to a man as two children play inside a wrecked car at a camp for displaced people in Port-au-Prince, Haiti, March 6, 2016. (Photo by Andres Martinez Casares/Reuters)

Resident Taina holds her brother Ysaque in the hallway outside their apartment in an occupied building in the Mangueira “favela” community on August 13, 2016 in Rio de Janeiro, Brazil. (Photo by Mario Tama/Getty Images)