An extreme Vespa enthusiast rides his bike after attending weekend festival for extreme Vespas in Semarang, Central Java, Indonesia, July 22, 2018. Every year, Indonesians from teens and granddads, to mechanics and students, gather in eastern Java to celebrate their love of the iconic Italian Vespa scooter. (Photo by Darren Whiteside/Reuters)

“Willy Rizzo was an Italian photographer and designer. In late 1948, Willy began an illustrious twenty-year career with Paris Match that would have him photograph some of the greatest names of the golden age of photojournalism. Married later to actress Elsa Martinelli, Rizzo enjoyed unparalleled access to the stars; Brigitte Bardot, Sophia Loren, Marilyn Monroe, Vivien Leigh, Audrey Hepburn, Jane Fonda, Gene Kelly, Fred Astaire, Salvador Dalí and Pablo Picasso all found themselves in front of Rizzo’s lens”. – Wikipedia. Photo: Jane Fonda, Studio Willy Rizzo, Paris, 1966. (Photo by Willy Rizzo)

The three peaks of Lavaredo, or the “Tre Cime di Lavaredo” in Italian, are three distinctive battlement-like peaks, in the Sexten Dolomites of northeastern Italy. They are probably one of the best-known mountain groups in the Alps, and one of the most photographed in Italy. The three peaks are named, from east to west, "little peak" (Cima Piccola), "big peak" (Cima Grande) and "western peak" (Cima Ovest). The Cima Grande has an elevation of 2,999 metres (9,839 ft). It stands between the Cima Piccola, at 2,857 metres (9,373 ft), and the Cima Ovest, at 2,973 metres (9,754 ft).

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

It’s a classic tale of dictatorship gone wrong and the fight for freedom. Like in any good battle, there’s fire, albeit from firecrackers, but the ammunition in this one is – flour. It takes place in a Hemingway-esque Spanish village. The battle of “Enfarinats” in celebration of the Els Enfarinats festival, rages on on December 28, 2012 in Ibi, Spain. Citizens of Ibi annually celebrate the festival with a fight using flour, eggs and firecrackers. The battle takes place between two groups, a group of married men called “Els Enfarinats” who take the control of the village for one day pronouncing a number of ridiculous laws and fining the citizens that infringe them and a group called “La Oposicio” who try to restore order. At the end of the day the money collected from the fines is donated to charitable causes in the village. The festival has been celebrated since 1981 after the town of Ibi recovered the tradition but the origins remain unknown.

Photo: A Reveller smokes during the battle of “Enfarinats”, a flour fight in celebration of the Els Enfarinats festival. (Photo by David Ramos)

“Der Jen (Dezhen; 德珍繪館) has achieved fame in her homeland and that fame is now spreading to other parts of the world as more and more people become familiar with her beautiful paintings. This Taiwanese artist depicts these beautiful ladies in classic, traditional dress that would have been worn by members of the royal court or an empress herself. Traditional hair styles and jewelry depicted in her pieces are also considered authentic. Der Jens art can be found in Chinese advertising, childrens magazines, romance novels, tarot cards, and even on public transit tickets. Its also making its way to our pcs as desktop wallpaper”.

Photo: Der Jen (Dezhen; 德珍繪館) – “The beauty of Brocade” (please click to enlarge).

Elio Angulo (bottom C) lies inside a cardboard coffin next to Alejandro Blanchard as they introduce their product to potential customers at a mortuary in Valencia, in the state of Carabobo, Venezuela August 25, 2016. When Venezuelan entrepreneurs Alejandro Blanchard and Elio Angulo decided to create cardboard coffins, they were looking for an ecological selling point to compete against classic wood and brass caskets. Three years on, with the oil-rich country mired in deep economic crisis, their “bio-coffins” are becoming a viable option because of high prices for wooden coffins and shortages of brass ones. (Photo by Marco Bello/Reuters)