Animal rights activists covered with fake blood sit on the floor during a protest against the use of animals in research to mark World Day for Animals in Laboratories in central Madrid April 24, 2014. The sign reads, “How many rabbits do your shampoo kill?”. (Photo by Andrea Comas/Reuters)

Tibetan pilgrims walk outside the Sera Monastery in Lhasa, Tibet Autonomous Region, China, 11 September 2016. Sera Monastery is known as one of the “great three” Gelug university monasteries of Tibet founded in 1419. (Photo by How Hwee Young/EPA)

Camera trapper Xavier Hubert-Brierre put this large mirror on the side of a road through the jungle in Gabon and left a camera there to record how the animals would respond to their own reflections. A silverback gorilla thought it was seeing another silverback and responded by trying to scare off the potential challenger… (Photo by Xavier Hubert-Brierre/Johns Hopkins University Press)

Models show creations by Chinese graduates from the China Academy of Art School of Design during the Show Town China Graduate Fashion Week in Beijing, China, 13 May 2018. (Photo by How Hwee Young/EPA/EFE)

Dead leaf or almost by Guilhem Duvot. Taken in Nován Stráž, Slovakia. Describe what is pictured? A dead leaf grasshopper. How does this image fit with the theme of the competition? The perfect camouflage – nature is amazing. I saw the grasshopper only because it jumped. (Photo by Guilhem Duvot/Royal Society of Biology)

A woman instructs a boy on how to pose for pictures in front of a mural depicting Soviet pilot Valery Chkalov – who took a non-stop flight over the Arctic and landed in the US state of Washington in 1937 – at Chkalovskaya metro station in Moscow on August 14, 2019. (Photo by Yuri Kadobnov/AFP Photo)

Spectators pose for a photo upon entry for Derby Day at Flemington Racecourse on October 30, 2021 in Melbourne, Australia. Victoria's COVID-19 restrictions have eased to allow spectators to return to Flemington racecourse for the first time since 2019. (Photo by Asanka Ratnayake/Getty Images)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.