Danny Santos started photography as a hobby a few years ago, shooting strangers in the streets of Singapore every weekends. He still does that from time to time. Now he juggles between his day job as a graphic designer, and his part-time work as a freelance photographer. (Photo by Danny Santos)

Employees work on a crane above an E-70 wind turbine manufactured by German company Enercon for La Compagnie du Vent during its installation at a wind farm in Meneslies, Picardie region, France July 31, 2014. (Photo by Benoit Tessier/Reuters)

Women from a local cocoa farmers association called BLAYEYA work in a cocoa farm in Djangobo, Niable in eastern Ivory Coast, November 17, 2014. BLAYEYA is a women's only association with each member owning a field and planting cocoa. (Photo by Thierry Gouegnon/Reuters)

Morgan Davidson is a twenty one year old artist who specializes in highly saturated, realistic color pencil illustrations. Her work includes detailed studies of body parts like the mouth, eye and heart. It also includes still life portraits like the one of herself in this series where the artist's hair is adorned with various found objects. Morgan's work is not simply realism, instead she stylizes the images to fit her own creative vision.

Mananya Boonmee, 49, works on the make-up of a “child angel” doll at her house in Nonthaburi, Thailand, January 26, 2016. A craze for lifelike dolls thought to bring good luck is sweeping Thailand, reflecting widespread anxiety as the economy struggles and political uncertainty persists nearly two years after a coup. (Photo by Athit Perawongmetha/Reuters)

A sugar cane worker poses while working in a field at Pakchong district in Ratchaburi province, Thailand March 22, 2016. The El Nino weather phenomenon has played havoc with crops across Southeast Asia and beyond. Thailand, the world's second-largest sugar exporter, will ship 20 percent less of the sweetener to international markets this year than last, and farmers fear the damage already inflicted on young cane plants could make next year worse. (Photo by Jorge Silva/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.