In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Germany, Business couple making love under desk. (Photo by Roman Maerzinger/Getty Images)

Team Alberta skip Kevin Koe makes a shot during the 10th draw against team British Columbia at the Brier curling tournament in Brandon, Manitoba, Tuesday, March, 5, 2019. (Photo by Jonathan Hayward/The Canadian Press via AP Photo)

Pascal Martinot-Lagarde, of France, celebrates his bronze medal in the men's 110 meter hurdles final at the World Athletics Championships in Doha, Qatar, Wednesday, October 2, 2019. (Photo by Petr David Josek/AP Photo)

Visitors browse in the starry Art Museum. Shanghai, China, May 13, 2020. The exhibition hall uses a large number of mirror devices, combined with the layout of acousto-optic, to create a visual scene and spatial effect. (Photo by Costfoto/Barcroft Media via Getty Images)

Kubra Korkut of Turkey in action against Viktoriia Safonova of the Russian Paralympic Committee during Class 7 Group B Women's Singles Table Tennis Match on day 2 of the Tokyo 2020 Paralympic Games at Tokyo Metropolitan Gymnasium on August 26, 2021 in Tokyo, Japan. (Photo by Ivan Alvarado/Reuters)

Hira Naveed reacts to her shot on the eighth green during the first round of the Chevron Championship LPGA golf tournament Thursday, April 18, 2024, at The Club at Carlton Woods, in The Woodlands, Texas. (Photo by Eric Gay/AP Photo)