Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

A village boy from Satla Village, Barishal swimmimg with water lilies in a canal near Barishal, Bangladesh on August 17, 2021. Every bright pink blooms is hand-picked and collected carefully by farmers to distribute in the local markets during a annual period. The flowers bloom during of the seasonal flood starting from August to November. (Photo by Mustasinur Rahman Alvi/Eyepix Group/Pacific Press/Rex Features/Shutterstock)

A model presents a creation during the Biofashion show, which features designs made from plants, recycled and natural materials, in Cali, Colombia, November 19, 2016. BioFashion is an environmental initiative that seeks to create awareness about the preservation and management of natural resources where new designers develop dresses made with living plants, flowers and organic elements. (Photo by Jaime Saldarriaga/Reuters)

A follower of the Afro-Brazilian religion Umbanda pays tribute for Iemanja, goddess of the sea, in Copacabana Beach in Rio de Janeiro, Brazil December 29, 2017. Hundreds of practitioners of Brazil's Afro-Brazilian Candomble and Umbanda faiths have gathered at Rio de Janeiro's Copacabana beach to honor Yemanja. Worshippers were mostly dressed in white as they launched their offerings to Iemanja: small boats with flowers and bowls with candles and fruits. (Photo by Ricardo Moraes/Reuters)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

A bullied student with vitiligo is celebrating learning to love her skin by turning it into art making a world map, flowers and even a Van Gogh painting. Ashley Soto, 21, from Orlando in Florida, USA, has found turning her white patches of skin into art has empowered her and helped her to embrace her vitiligo. Here are some of the art pieces Ashleys made to celebrate and embrace her vitiligo from a world map to simply tracing her vitiligo and also Van Goghs Starry Night. (Photo by Ashley Soto/Caters News Agency)

“Francois' langur is one of several species of leaf monkeys. Over 50% of its diet is made up of young leaves. It will also consume fruits (17.2%), seeds, flowers, stems, roots, bark and occasionally minerals and insects off of rock surfaces and cliffs. This langur consumes its favorite food, young leaves, at the highest rate during the dry season, April through September, also known as the young leaf-lean period”. – Wikipedia

Photo: An endangered baby Francois' Langur monkey called Laa Laa settles in following her July 6 birth at London Zoo, Regent's Park on August 5, 2004 in London. The bright ginger youngster was born to glossy black parents Max and Shaneka and has the typical orange baby coat which is in stark contrast against the black of her parent's and older brother Grub's fur. (Photo by Steve Finn/Getty Images)

Australian photographer Brendan Fitzpatrick’s X-ray photographs expose the inner workings of toys. Fitzpatrick’s photographs are both whimsical and mechanical, evoking the curiosity of childhood and the desire to discover how things look and work from other perspectives. The strategic placement of wires, batteries, and screws are revealed, the complexity of the inside contrasting with the seemingly simplistic design of the outside. Fitzpatrick uses chest X-ray and mammogram machines to photograph flowers, toys, and creatures, then enhances the color in the images in order to more effectively distinguish the various parts that have been exposed. This photographs are part of series he calls “Invisible Light”. (Photo by Brendan Fitzpatrick)